Skip to main content

Authentic portraits


Portrait of Magda Indigo, out enjoying the landscape in Flanders, Belgium.

Yesterday I was looking through my library of photography books. Being a bit of a collector I've got quite a lot. The book that caught my attention for a relaxing browse on the sofa was Annie Leibovitz's Woman.

It's a magnificent celebration of woman and includes portraits of the famous, of high achievers and of ordinary woman. The thing that all of the images have in common is an honesty and an authenticity. She uses a variety of techniques and styles; black and white, colour, grainy, smooth, candid, posed - it doesn't matter. Each image speaks to the viewer.

She often breaks the photographic rule's of composition, but each image works. You never get the feeling that technical considerations get in the way of making a good image. It's all about the subject and the honesty of the photograhers eye. No wonder she is ranked as one of the world's top portrait photographers.

In her tribute to woman there is not a single sign of airbrushing or digital manipulation to enhance her subject's looks and yet young and old look far more beautiful than any cover model photograph for a fashion magazine or slick high street portrait shot.

The ultimate beauty of photography for me lies in authenticity, showing the real person and letting their image speak to us.

I hope all those photographers out there uploading glossy, staged portraits that are empty of meaning will take a moment to consider what I've written here. Next time you're in a book shop pop in and take a look at Annie Liebovitz's photography.

Cheers,
Paul


Visitors Tracker

Comments

David Toyne said…
You're a star Paul! The fake portrait devoid of meaning is my pet hate. Can I also mention Imogen Cunningham as a wonderful master portrait photographer?
David Toyne said…
PS: Looking good Magda!

Popular posts from this blog

The Story Behind the Stories in My Photography

 Thank you for taking the time to explore my work. Photography, to me, is a meditative act—an opportunity to be fully present and notice the smallest details. The interplay of colour and light, the textures and shapes, the shift of an expression, a gesture — these subtle moments bring me pure joy. They are why I love storytelling and creating visual poetry. Every image in my portfolio is born from a moment of connection or curiosity. Whether I’m in a bustling city street, a quiet room, or a remote location, I aim to create photographs that resonate with empathy. Take "The Cyclists," for example—what appears to be a simple scene of people pedalling along the pier transforms into a visual symphony of movement and stillness, the hurried energy balanced by the serene focus of the riders. This interplay between action and calm often draws me in. I’m drawn to capturing the essence of a person—their inner world, not just their outward appearance. My approach often dances between the...

Beyond the Obvious: Lessons from the Masters of Photography

  In photography, there’s more than technical skill or gear; the real art is in connection, storytelling, and moments that matter. In this blog, I’ll explore what I have learned by taking master classes with photographers like Steve McCurry, Joel Meyerowitz, and Albert Watson. One of the surprising outcomes of learning from them was discovering just how closely my  thoughts and practice aligned with theirs although I've always carved my own path. There is something delightful about finding kindred spirits. I wanted to share what I've learnt and remind us of our true practice as photographers behind the lens. Storytelling Through Human Connection A photograph should convey more than just skill—it should capture a story that resonates. Steve McCurry’s iconic Afghan Girl does this beautifully, capturing strength and vulnerability in a single frame. Like McCurry, I believe photography should reveal the depth and uniqueness of our subjects. This requires empathy, patience, and a ...

Overcoming creative block and self doubt

Every photographer, for that matter every creative, I've ever met comes to a point when they're not happy with the work they're producing. The pendulum between creative highs and dry spells swings continuously. For some the cycle is long and the bouts are quite mild for others the feeling of doubt about their work can be a crushing experience which returns all to frequently. It's actually quite healthy to have these periods of doubt because it can often be the beginning of something new and interesting which takes you further than you thought possible. Creatives in the commercial world have to always perform and although they may agree looking back that they've had a few patches where their work was less good, they always seem to bounce back. A very few creative geniuses deliver such high quality work that their poorest attempts still surpass the rest of us. But I have never heard of anyone, from tortured soul of Van Gogh to the supreme showman and genius, Salvador ...