Skip to main content

Appreciating photography

What goes through your mind when you see an image? There's an emotional and an intellectual response.

Firstly, I'll try to describe the emotional response. When I see an image I really like, a feeling of pleasure rises up from inside me until it touches my lips and forms a smile. But images can evoke the full range of emotions from tears, to anger, to laughter. An image's ability to evoke an emotion is one of the measures of its strength.

It's fascinating that everyone reacts differently to images. In essence the image brings 50% to the party and the viewer brings the other 50%. Appreciation is the sum of the viewer's experience and the image itself. That's why some people can look at a print and it leaves them absolutely cold while the same print can have a profound effect on another person.

There are a few images which strongly affect virtually everyone because they sum up a powerful emotion or statement about the human condition in a universal way.

On the other hand intellectual appreciation revolves around understanding and acknowledging the context of the image, the implications of its content and the analysis of its aesthetics.

Overall when I see a good image, there's a feeling of recognition, a clicking into place of both emotions and intellectual understanding, which produces a sense of fulfilment and ultimately leaves me with a feeling that my soul has been enriched. I can't begin to describe how profoundly an image can move me, the deep joy it can give me as I discover its beauty. I really do love great photography.

Strangely enough the images that have the most profound impact are ones that I see in printed form. Pictures on the screen never have quite the same impact. The feelings I experience viewing a printed image are much stronger than seeing the same image on a website. The tangible print is the ultimate product. It completes the life-cycle from light reflecting off a subject through the lens on to the film or sensor, until it is again reflected light, this time from the surface of the print.

It's wonderful to go and see prints in as many galleries as you can, to look at photographic books and even magazines. That's what photography is all about; the final printed image.

Cheers,

Paul


Comments

Popular posts from this blog

The Story Behind the Stories in My Photography

 Thank you for taking the time to explore my work. Photography, to me, is a meditative act—an opportunity to be fully present and notice the smallest details. The interplay of colour and light, the textures and shapes, the shift of an expression, a gesture — these subtle moments bring me pure joy. They are why I love storytelling and creating visual poetry. Every image in my portfolio is born from a moment of connection or curiosity. Whether I’m in a bustling city street, a quiet room, or a remote location, I aim to create photographs that resonate with empathy. Take "The Cyclists," for example—what appears to be a simple scene of people pedalling along the pier transforms into a visual symphony of movement and stillness, the hurried energy balanced by the serene focus of the riders. This interplay between action and calm often draws me in. I’m drawn to capturing the essence of a person—their inner world, not just their outward appearance. My approach often dances between the...

Overcoming creative block and self doubt

Every photographer, for that matter every creative, I've ever met comes to a point when they're not happy with the work they're producing. The pendulum between creative highs and dry spells swings continuously. For some the cycle is long and the bouts are quite mild for others the feeling of doubt about their work can be a crushing experience which returns all to frequently. It's actually quite healthy to have these periods of doubt because it can often be the beginning of something new and interesting which takes you further than you thought possible. Creatives in the commercial world have to always perform and although they may agree looking back that they've had a few patches where their work was less good, they always seem to bounce back. A very few creative geniuses deliver such high quality work that their poorest attempts still surpass the rest of us. But I have never heard of anyone, from tortured soul of Van Gogh to the supreme showman and genius, Salvador ...

What You Photograph Reveals How You Think

  Photography is often described as a way of seeing. Less often do we talk about it as a way of thinking. What you choose to photograph, and just as importantly what you ignore, quietly mirrors how your mind works. Some photographers are drawn to faces, micro-expressions, emotional spikes. Others chase atmosphere, light, mood. Then there are those who gravitate towards structure, systems, order, the invisible logic holding a scene together. None of this is accidental. The camera becomes a sorting tool. It reveals what your brain prioritises. Where others see chaos, you might see alignment. Where some look for drama, you look for balance. Geometry, repetition, flow, layers, these aren’t just visual preferences, they’re cognitive ones. Strong graphic images tend to come from people who think spatially. Who notice how things relate before they notice what they mean. Lines before labels. Structure before story. And yet, the best images rarely stop there. They gain depth when human pres...