Beyond the obvious

Honfleur is a beautiful harbour town in France, located 5km from Le Havre. We spent a few days there photographing it both during the day and in the evening. Fortunately the light was good. I hope my images capture a sense of the place, the marina, the architecture and shops filled with local produce. If you would like to find out more visit my photo-story page . Connect with me on social media: Google+:  Paul Indigo   Twitter:  paul_indigo Facebook:  Paul Indigo Facebook Page:  www.facebook.com/paul.indigo Flickr:  paulindigo Thanks, Paul www.indigo2photography.co.uk

The Alhambra in Granada is one of the must see tourist attractions of Spain. A selection of the images I shot there are in my You Tube video in full HD and you can view the still images at your leisure in my places portfolio . Here are a few tips on photographing the Alhambra which can be applied to other popular tourist attractions. The Alhambra limits visitors to between 5,000 and 6,600 per day and it frequently sells out of  tickets for the main attractions. So book well in advance if you want to gain access to the Palacios Nazaríes. Think carefully about what equipment you really need. The place is packed with tourists and in the palace the security guards ask you to carry your bag in front of you. So if you've got a big camera rucksack you're going to have to walk around like a pregnant lady for the afternoon. Being bumped and bumping into other people is not a pleasant experience, so it's best to travel light. When you have to book in advance and wo...

To me the expressive moment is simply the moment captured through the lens by the photographer when there is a clear expression of mood, emotion and feeling. It is different to Henri Cartier Bresson's 'decisive moment' which revolves around a visual harmony and balance in the frame rather than being about emotion and expression. The ideal is to achieve both the perfect visual balance across the frame, the decisive moment, and capture the expressive moment. Of the two I would choose the expressive moment as the most important because the essence of photography is to communicate an idea or emotion to your audience. Of course the aesthetic elements of an image play a vital role, but they support the message rather than being the message - just as in architecture, form should follow function. This is the realm of photojournalism, editorial photography, advertising, street and fashion photography. Here we use the expressive moment to get the audience to: really see fee...

See and hear the Flamenco photo story action. And turn up the volume! In my previous post I described the photographic technique I used and how we came to shoot this story on a world famous Flamenco dance school . There was a lot of interest in the blog post so, using Magda's Indigo's behind the scenes video footage I made this short film (3.45minutes). You'll get a much better understanding of the lighting conditions and circumstances we were working in, and we have have included some of the still images from the story so you can see how I interpreted the scene and the results. In all the whole shoot lasted about 60 minutes. We used minimal equipment (see previous blog post ). Hope you enjoy our film. Please let me know what you think of the images too. If you'd like to see the higher resolution versions you can view them on my portfolio of  Flamenco photographs . Till soon, Paul www.indigo2photography.co.uk

Flamenco is full of passion and fire. When these dancers tap out there vibrant rhythms the floor shakes. As you watch your heart beats faster, your temperature rises and energy courses through your veins. The dancers work incredibly hard. You'll see that in the images. We were fortunate enough to photograph an advanced dance class at one of the world's best Flamenco schools. Please take a moment to view the selected images from my photo-story . When the image opens you can click the i to see the accompanying text. Here are most of the same images on Flickr too. For those interested in the technical side, I used one flash, bounced on the white walls and 'dragged' the shutter to achieve a balance with the ambient light (which was mainly terrible overhead florescent). It was a real challenge. For the most part I used a 50mm lens. The wider shots were done with the 17-40mm on my Canon 5D. I did not use burst mode. It's too random and you miss vital moments - far...

A porter reaches back to help another as they struggle to carry their burdens up into the city, Istanbul, Turkey. It strikes me that photo enthusiasts are often more interested in the equipment used to take a photograph and the settings as if somehow that knowledge will help them create images like the ones they admire. On the other hand art critics look at images as the starting point for an interpretation. They often give images a meaning far beyond what was in the photographers mind at the time of making the image. Professional photographers on the other hand look at images and think about how they would have tackled the same situation to get the shot. They are less concerned with the equipment or the interpretation and more interested in the practical decision making involved and the point of view, both physical and interpretive, of the photographer. Over the years the image above has become quite symbolic to me. Each man carries a burden through life and s...

Therese in front of her souvenier shop in Bruges. She has been there for almost 50 years. Nothing much changed in her shop in all that time. This year she is retiring. I've been thinking about writing this blog for quite some time now. It's not easy. I could take a critical line like I did in my blog post about the photographs I hate looking at (and why) but instead I decided on a more positive approach, so this post is in praise of all those photographers who respect and celebrate the relationship photography has with reality, truth and photographic 'seeing'. Arguably the real value and power of photography is in showing the world as we actually see it. Photojournalism has a strict code of ethics forbidding altering an image substantially. This has to be adhered to because if it were not then a photojournalist's images would be worthless. Likewise individuals taking family snapshots, or local photographers recording daily life as we see it make images that b...

I find myself spread very thinly across all the different social media sites. There are simply not enough hours in the day to keep up. So for now I've decided on the following strategy: Google + is my new social media hub (home) where I publish photo stories, images and news. My photographic portfolio, about me and the centre of my online universe is www.indigo2photography.co.uk My blog, which you're reading now is where I write my more indepth views on life and photography. Twitter is good place to catch up with what I am posting and sharing at that moment My Facebook page is the place where I'll post links that interest me and I want to share. I am aware this strategy is tricky because the golden rule of social media is to go where your audience is, so I may have to review this. What is your social media strategy? See you, Paul *******************************************************Web-site www.indigo2photography.co.uk Twitter: paul_indigo Facebook: Paul Indigo Facebo...

The saturation slider test (click to open large version) I've devised a fun self help test for photographers. Where do you put your saturation slider. By the way Dictionary.com defines kitsch as "something of tawdry design, appearance, or content created to appeal to popular or undiscriminating taste." This post is intended to be a playful jibe, humorous and I know that I've definitely pushed my saturation slider too far to the right (and left) in the past LOL. Till soon, Paul Web-site  www.indigo2photography.co.uk ******************************************************* Twitter:  paul_indigo Facebook:  Paul Indigo Facebook Page:  www.facebook.com/paul.indigo Google+:  Paul Indigo Flickr:  paulindigo

Suzanne 1919-2011 , originally uploaded by paul indigo . Known to family and friends as Marraine, Suzanne was always happy to pose for a portrait. Over the years I made a number of images, both posed and candid of her. She always had a kind word, a smile and a laugh to share. In 2010 I gave her a print of this portrait and when she saw it she thanked me with a tear in her eye. It moved her. A wonderful moment and one I will never forget. Sadly she passed away on 8 November 2011 at the age of 92. She will be missed.

Artist Willem Vermandere delicately uses a small file to express himself through his marble sculpture In my previous two posts I covered the topic ' the real value of social media to photographers '. These articles explored why and how you should use social media to engage with a specific audience. The thing that I did not cover in great detail was content, which, as the title of this blog implies, is the most important element to attract people to your work. Once people have found your website or blog you have to give them a reason to return. The simple logic is they have to find something of value in what you write about. There are many blogs that attract readers by simply being curators of content. In other words they find great content and then link to it and by doing this become a good resource, a one-stop-shop for people wanting to find valuable content. I prefer to create original content. This does not mean that I never link to anyone else. It just means that ...

Build a social community that lasts In my previous post I asked what the real value of social media is to photographers, highlighting the challenges we face to make money from our work. If you've not read the blog post yet then I recommend nipping over and catching up before reading on. The focus of this article is getting a business benefit out of social media. If you just use social media because you like sharing your work for fun then that's a whole different ball game. Nowadays it's not a question of whether you should use social media . The question is HOW should you use it to help promote your photography. I'll keep this brief. All of the points below are based on experience and backed up by personal research. Steps to getting real value from social media: Set clear goals - what do you want to achieve. The clearer your focus is the higher the rewards for your effort. For example if you're trying to sell work to advertising agencies but then spend ...

Street musician, France Photographers can get their work seen by thousands of people across the world and receive instant feedback on their images. A socially popular photographer can reach a larger audience on the internet than a major printed magazine. But what is the real value in that to the individual artist? I watched a French street musician performing (see pic), putting his heart and soul into every song. He was doing classic Edith Piaf. He stood in the street between two restaurants, moving from one terrace to the other, focusing his attention on individual tables for 15-30 seconds at a time during the song, working the largest audience possible. Some people looked up appreciatively, nodding, while others did their best to ignore him, perhaps afraid that if they did look at him they would be morally obliged to give him money for his efforts. It struck me that this man had to earn his living by performing so well that people were prepared to pay for his art there ...

It's not the camera, it's the photographer. I completely agree. However these days cameras are so good at ensuring images are sharp and well exposed that most of the 'technical' edge that serious photographers used to differentiate themselves from the masses is gone. Anyone can get a sharp, well exposed, professional quality image, with no more effort than pointing and pushing the button. Add to that a little knowledge and effort in Photoshop and just about anyone can produce interesting 'creative' work. No wonder so many cameras are sold and photography has become such a world-wide phenomenon. I think it is  fabulous that so many people are enjoying making and sharing images. With the difference between photo enthusiasts and professional photographers constantly narrowing, I asked myself what separates professional photographers from the masses, if anything. Here are three things that spring to mind... Access The men's locker room at  the AELTC  w...

Portrait of Christian D, senior Belgian civil servant. Just finished a privately commissioned book of portraits of one of the most senior civil servants in the Belgian government. It's always a great feeling when you complete a project. So if you wondered what happened to me recently, I've been working on the above and a number of other projects. And then of course there's the big distraction of Google + which just sucks up time. It's certainly very lively in the photographic circles, if you'll pardon the pun. Twitter, FB and all the rest are being left to one side as photographers get stuck in sharing their work and discoveries. If you're on Google + you can find me here . Contact me if you'd like an invite. I don't know how anyone has the time to create anything any more with all the social networking that's going on. What do you think? Till soon, Paul www.indigo2photography.co.uk

Framer, Ostend, Belgium , originally uploaded by paul indigo . I saw his wonderful full white beard through the shop window and stopped in the street. The light and the warm coloured walls also caught my attention. I said to Magda, "I really want to make a portrait of him." We headed into the shop and after a chat he agreed. A lovely man. These days we see many portraits that are tightly cropped in but I wanted to let this one breathe with plenty of space. I don't follow trends. Every element here is carefully considered. Look at how lines intersect, where they touch and where the subject breaks through them. The whole composition is used to incorporate all of the visual elements and compliment the subject.

Colourful beach huts Here's a selection of some the articles on my blog that are the most read and a few of the new ones that I think are worth bringing to your attention again. My blog has been going since 2005 (unbelievable) and I've written 361 posts. I only write when I think I've got something worthwhile to say. Hopefully the quality speaks for itself.  It's thanks to your encouragement that I keep going. So please feel free to leave a comment and your emails are always welcome too. Read on... Why use a professional photographer instead of stock photography. Beware of wide-angle distortion in portrait photography Overcoming creative block and self doubt What makes a real photographer? Making remarkable photographs Don't use your camera on manual settings Is professional photography still a viable career?... How much should you charge for a photo-shoot? 14 professional flash tips How much photographic equipment do you need? There are two types...

I've finally got round to making a slide show of a photo story I shot in August 2010 in Belgium. Every year a group of Belgian people from a closely knit neighbourhood, and their friends, get together to have a street party. The street is closed off and a marquee erected. The neighbourhood raise funds and celebrate together eating Belgium's favourite meal, mussels with fries, and of course the best beer in the world. As you will see above everyone lets their hair down. I was invited to the feast and had the opportunity to document it. The event's ceremony master welcomed my wife and I to the event, "all the way from England". If you'd like to see the still images they're on my website in the photo story section . There are a few of my other photo stories there too. Till soon, Paul www.indigo2photography.co.uk

The happy brewer As promised in my previous post, Appreciating Photographs , I am going to try to offer an insight into why I think an image 'works'. The photograph above is from my latest photo story on the Mad Brewers of Belgium (De Dolle Brouwers). You can read the actual story on my website and see a large slide show with the rest of the images. The brewer, Kris Herteleer, looks happily on at the latest batch of beer cooling in the large copper basin. Steam rises from the hot beer creating atmosphere. The brewery machinery is visible in the background. For me the way he is holding the edge of the basin, leaning forward and especially that happy smile says it all. The image stands on its own but when seen in the context of the full photo-story it gets an added dimension. It is also a very important image to the story as it show's Kris' sense of accomplishment.  De Dolle Brouwers have to work hard to make a success of their small traditional brewery in a very c...

When you see a picture you generally either like it or it does nothing for you. Images evoke an instant emotional reaction in the viewer before we start analysing the content. When I look at many of the images uploaded on social image sharing websites and see that they have pages of comments and heaps of praise I often wonder what it is in the image people are responding too. Many of the shots are technically poor, the content is of little interest (to me) – so I wonder… Then there are other images that, if you really look and ‘read’ the image, have many wonderful elements, but they appear to be passed up by the mass audience. Highly manipulated arty photos, pictures of pretty girls and the usual visual clichés seem to do much better than photojournalistic images that show the human condition. It’s interesting that audiences are attracted to arty pictures with added textures, HDR and hyped colours. On the other hand, when it comes to wanting to see a news image, the same audien...