Skip to main content

Content is king

Artist Willem Vermandere delicately uses a small file to express himself through his marble sculpture
In my previous two posts I covered the topic 'the real value of social media to photographers'. These articles explored why and how you should use social media to engage with a specific audience.

The thing that I did not cover in great detail was content, which, as the title of this blog implies, is the most important element to attract people to your work. Once people have found your website or blog you have to give them a reason to return. The simple logic is they have to find something of value in what you write about.

There are many blogs that attract readers by simply being curators of content. In other words they find great content and then link to it and by doing this become a good resource, a one-stop-shop for people wanting to find valuable content.

I prefer to create original content. This does not mean that I never link to anyone else. It just means that I choose to publish my own thoughts and ideas. After so many years of writing Beyond the Obvious I've covered hundreds of topics and it's a challenge to keep coming up with original stuff. I really don't want to repeat myself.

It delights me to see how many of my old articles continue to be read. That means that people find real value in them. Of course other stuff I've written has been left dusty on a forgotten shelf in the great storage cupboard of the Internet. The barometer of how successful an article is over time is directly related to whether I've written about a subject that is regularly searched for on the Internet. It's a difficult thing to predict, however here are some subjects that people always want to find out more about:

  • Technology and gadgets
  • Camera reviews
  • Software articles
  • Techniques and tricks of the trade
  • How to articles
  • Personal experiences of professional photographers

If you write well about the above you'll probably grow an audience.

Although I do cover many of the above topics my focus on aesthetics, philosophy of photography and the attitude required to succeed as a photographer is certainly not mainstream. But then again I just write what I feel rather than what I think will make my blog popular.

Thanks again to all my regular and loyal readers. It's because of you I keep on writing.

I recently launched a new portfolio site of my photographic work (www.paulindigo.co.uk). Please take a look and let me know what you think.

Thanks,
Paul
www.indigo2photography.co.uk



Comments

Popular posts from this blog

Overcoming creative block and self doubt

Every photographer, for that matter every creative, I've ever met comes to a point when they're not happy with the work they're producing. The pendulum between creative highs and dry spells swings continuously. For some the cycle is long and the bouts are quite mild for others the feeling of doubt about their work can be a crushing experience which returns all to frequently. It's actually quite healthy to have these periods of doubt because it can often be the beginning of something new and interesting which takes you further than you thought possible. Creatives in the commercial world have to always perform and although they may agree looking back that they've had a few patches where their work was less good, they always seem to bounce back. A very few creative geniuses deliver such high quality work that their poorest attempts still surpass the rest of us. But I have never heard of anyone, from tortured soul of Van Gogh to the supreme showman and genius, Salvador ...

What You Photograph Reveals How You Think

  Photography is often described as a way of seeing. Less often do we talk about it as a way of thinking. What you choose to photograph, and just as importantly what you ignore, quietly mirrors how your mind works. Some photographers are drawn to faces, micro-expressions, emotional spikes. Others chase atmosphere, light, mood. Then there are those who gravitate towards structure, systems, order, the invisible logic holding a scene together. None of this is accidental. The camera becomes a sorting tool. It reveals what your brain prioritises. Where others see chaos, you might see alignment. Where some look for drama, you look for balance. Geometry, repetition, flow, layers, these aren’t just visual preferences, they’re cognitive ones. Strong graphic images tend to come from people who think spatially. Who notice how things relate before they notice what they mean. Lines before labels. Structure before story. And yet, the best images rarely stop there. They gain depth when human pres...

Is professional photography still a viable career?

I am not against amateurs and semi-professionals selling their photography. It's a great way to earn some extra cash. However I am concerned about the level of high quality published work and the standards that clients and the public accept these days. It seems that just about everyone is a photographer. The line between amateur enthusiast and professional is fuzzy to say the least. Photography enthusiasts are selling their images through stock libraries and microstock websites, directly to magazines or through their own and third party sites. They're accepting commissions to shoot weddings, being hired to shoot for magazines and selling fine art prints from their websites. They're teaching photography on the weekend and guiding photographic holidays and safaris. Photography became accessible to the masses with the first non-expert cameras and the famous Kodak slogan"You press the button, we do the rest." The digital camera age has taken the whole thing to a ne...