Skip to main content

1980's Hasselblad better than latest Pro DSLR

It may be time to dust off your old medium format gear and give it a new lease of life with a digital back. The results are stunning, better than the latest Canon Pro DSLRs and cheaper!

Prices of digital backs have come down and you can now get one for around £5,000 in the UK, even cheaper second hand.

Comparing the results between a 16mp digital back on an old 1980's Hasselblad C/M and a new pro full frame Canon DSLR is an eye opener. The quality from the Hasselblad is better. Images are super sharp, files stand up to interpolation better, there's more shadow and highlight detail, colours are spot on and the files are true 16bit from RAW. DSLRs don't actually generate true 16 bit RAW images.


One way to try a digital back on your medium format or for that matter large format camera is to hire the appropriate back. It's not cheap but if you incorporate it in your costs for the shoot on the day then the extra quality could well benefit your work and give you an edge that clients will appreciate (if you're a pro).

Working with medium format is slower. My old Hasselblad C/M doesn't have a lightmeter, no autofocus, everything is manual. I don't even use a pentaprism so the viewfinder image is reversed. This means taking a more considered and slower approach which is not a bad thing at all.

Coincidentally a professional photography magazine in the UK has just done an article on the same subject and their writers were raving about the results. They hired a back from the Pro Centre in London. The magazine remarked that for faster work pro photographers could settle for a D300 or a D40, to save some cash and use the digital back solution for super high quality stuff in the studio and outdoors.

No doubt prices will continue to fall as many pro photographers move up to the larger mp backs available today.

One thing to bear in mind is that there is a crop factor so for example the Hasselblad's standard 80mm lens becomes a 120mm. If you like shooting very wide angle then you will have to consider the implications.

I'm glad I hung onto my old Hasselblad gear now and I may dust off the Mamiya Pro 645 too. We'll see.

Cheers,

Paul

www.indigo2photography.co.uk

Comments

Marstein said…
what about some samples?
Dear Paul,
I have had Hasselblad 2000 FC with 3 Carl Zeiss lenses, plus pentaprism, two backs..etc etc..I have not used my camera too much in the past, but now I intend to..I have been exploring the digital backs to fit on my H'Blad. I am not sure which one to look for. The option shown on Hasselblad's own website is of 22mp and 39 mp..no price on its' site, but I saw elsewhere that they are very expensive. Is there a cheaper option? I would appreciate if you could guide me on this.
Best,
Saps.
Dear Saps

You can get a second hand digital 22mp back in the UK from about £3K, which will satisfy most photographer's requirements. The 39mp is better of course delivering very high quality.

The best thing to do is to go to a professional photographic equipment retailer and listen to what they have to say. In the UK my experience is that the retailer will let you try the back, help you with software and provide basic instruction before you buy it.

Hope this helps.
Paul

Popular posts from this blog

The portrait photographer's motivation

Easy access to the Internet and digital photography has resulted in an ever growing number of photographers uploading their images for comments and ratings from peers. Online communities evolve and these mini-societies each have their pecking order, internal groups and communal preferences. Photographers learn from each other. On sites that have a rating system there is often pressure to conform to certain styles, techniques and even subject matter. Although I participate in numerous sites (it's great fun), I recognise the danger of becoming a herd animal and losing the edge of individual creativity. There will always be the creatives that lead the way and the imitators that can only try to follow in their footsteps. This lead me to think about classifying photographers according their inner motivation. So as a bit of fun here are a few different types: The innovator Driven to always find something new, different and creative. Wants to be leading edge. Motivated by creative satisfa...

Beyond the Obvious: Lessons from the Masters of Photography

  In photography, there’s more than technical skill or gear; the real art is in connection, storytelling, and moments that matter. In this blog, I’ll explore what I have learned by taking master classes with photographers like Steve McCurry, Joel Meyerowitz, and Albert Watson. One of the surprising outcomes of learning from them was discovering just how closely my  thoughts and practice aligned with theirs although I've always carved my own path. There is something delightful about finding kindred spirits. I wanted to share what I've learnt and remind us of our true practice as photographers behind the lens. Storytelling Through Human Connection A photograph should convey more than just skill—it should capture a story that resonates. Steve McCurry’s iconic Afghan Girl does this beautifully, capturing strength and vulnerability in a single frame. Like McCurry, I believe photography should reveal the depth and uniqueness of our subjects. This requires empathy, patience, and a ...

Why do you take photographs?

Have you ever asked yourself why you photograph? It's a question that can be answered with a simple one-sentence answer until you start delving deeper. The answer then becomes increasingly complex and challenging to unravel. I've again undertaken this journey recently, and my answer is below. Portrait of Paul Indigo by Magda Indigo. Thanks Magda! I also reviewed my images over the last ten-plus years, selected 30 of my favourite photos, and compiled them into a slide show. This was a challenging task. My favourites change by the day, probably by the minute. Still, eventually, I got to a selection I titled "That's Life." Please click through to YouTube to view the full screen. My approach to people and landscape photography is characterised by a distinctive blend of documentary and fine art techniques. I aim to create images that are both deeply personal and universally relatable. Through portraiture, I strive to showcase the broad spectrum of human experience. I a...