Magda Indigo in search of the perfect image, walking along the seawall in Scarborough.
Today we were once again working in the studio. The weather was not too good. Anyway we were talking about images, as usual and about appreciating other photographers' work.
For me images can be seperated into different categories. Here's my very personal and emotive response scale:
Awful - I want to run out of the room screaming
Boring
Mildly interesting
Good
Something that I admire
An image that I think is brilliant, emotive, technically wonderful and compelling
And then there are the images that I dearly wish that I had made because they represent everything that I aspire to with my photography
Like I said it's a very personal scale. I wonder if other photographers have a similar emotive response to the images they see.
Cheers,
Paul
In photography, there’s more than technical skill or gear; the real art is in connection, storytelling, and moments that matter. In this blog, I’ll explore what I have learned by taking master classes with photographers like Steve McCurry, Joel Meyerowitz, and Albert Watson. One of the surprising outcomes of learning from them was discovering just how closely my thoughts and practice aligned with theirs although I've always carved my own path. There is something delightful about finding kindred spirits. I wanted to share what I've learnt and remind us of our true practice as photographers behind the lens. Storytelling Through Human Connection A photograph should convey more than just skill—it should capture a story that resonates. Steve McCurry’s iconic Afghan Girl does this beautifully, capturing strength and vulnerability in a single frame. Like McCurry, I believe photography should reveal the depth and uniqueness of our subjects. This requires empathy, patience, and a ...
Comments
Love your scale, recognize the screaming part too !
Marleen