Skip to main content

Buying art photography: love or money
























Art print from my graphic kitchen series

Why do people buy photographic art prints? I think there are several different reasons and different types of buyers. The premise is that people buy pictures because they like them and if they fall in love with the image they are prepared to pay a lot more for a print than some artists may imagine their work is worth.

I realised that the concept of perceived value underpins the whole issue of what people are prepared to pay for a fine art print. In the first instance we have the photographer's perception of the value of his/her work. And then we have the buyer's perception.

Lets deal with the buyers perception of value for money. Here we need to look at the different types of buyers.

  1. Serious collectors (a rare breed): usually collectors will specialise in images defined by a certain time period in history, the work of a photographer or group of photographers, a genre or perhaps related to a specific geographical area
  2. The emotive buyer: a person that sees an image and falls in love with it because they instantly have an emotional connection. The image may relate to a specific memory they have, someone they know or idealise
  3. The investor (also a type of collector): usually a buyer who will specialise in work that they like and have a connection too but with an eye on the value of the artist in the long term. They acquire a photographer's work because of its 'brand value' ie the name of the photographer may play a greater role in choice than actually loving the image
  4. The decorator: these people buy a picture because it matches their living room decor. The image may be cherished but choice is determined by compatability with decor (colour and style), the frame and size of the picture
  5. The impulse buyer: a tourist or someone casually afforded the opportunity to buy a print who makes the purchase on the spur of the moment because they like the image and happen to have the money to spend at that moment
I've probably missed a category or two. It is 1.30 in the morning. But hopefully the above captures the main types of buyer. I've tried to rank them from those likely to spend the most (1) to those who will spend the least on a picture (5). The investor (3) may pay a lot for an image but will always have an eye on long term value.

In each case the buyer has to like the image and want it. Beyond that, percieved value for money plays a key role in their buying decision.

If you sell art prints you may want to think exactly which type of buyer you're trying to sell to and then consider how to reach them effectively with your marketing.

It goes without saying that building a name for yourself will increase the value of your prints. If you specialise in a certain subject you may be able to get more for your work by identifying and selling to collectors. I suppose the rarest buyers of all are the people that see an image of yours and fall in love with it. They must have it and are prepared to pay (almost) whatever it takes.

Please feel free to comment or email your thoughts to me. I'd love to hear about your experiences.

Cheers,
Paul
Posted by Picasa

Comments

Anonymous said…
I have had the "reverse decorator" who buys your image then uses it as the colour scheme for their room!

As ever interesting and informative, thanks Paul.
Well that is rare indeed Chris LOL. A "reverse decorator". I like it.
All the best,
Paul

Popular posts from this blog

Overcoming creative block and self doubt

Every photographer, for that matter every creative, I've ever met comes to a point when they're not happy with the work they're producing. The pendulum between creative highs and dry spells swings continuously. For some the cycle is long and the bouts are quite mild for others the feeling of doubt about their work can be a crushing experience which returns all to frequently. It's actually quite healthy to have these periods of doubt because it can often be the beginning of something new and interesting which takes you further than you thought possible. Creatives in the commercial world have to always perform and although they may agree looking back that they've had a few patches where their work was less good, they always seem to bounce back. A very few creative geniuses deliver such high quality work that their poorest attempts still surpass the rest of us. But I have never heard of anyone, from tortured soul of Van Gogh to the supreme showman and genius, Salvador ...

What You Photograph Reveals How You Think

  Photography is often described as a way of seeing. Less often do we talk about it as a way of thinking. What you choose to photograph, and just as importantly what you ignore, quietly mirrors how your mind works. Some photographers are drawn to faces, micro-expressions, emotional spikes. Others chase atmosphere, light, mood. Then there are those who gravitate towards structure, systems, order, the invisible logic holding a scene together. None of this is accidental. The camera becomes a sorting tool. It reveals what your brain prioritises. Where others see chaos, you might see alignment. Where some look for drama, you look for balance. Geometry, repetition, flow, layers, these aren’t just visual preferences, they’re cognitive ones. Strong graphic images tend to come from people who think spatially. Who notice how things relate before they notice what they mean. Lines before labels. Structure before story. And yet, the best images rarely stop there. They gain depth when human pres...

Why do you take photographs?

Have you ever asked yourself why you photograph? It's a question that can be answered with a simple one-sentence answer until you start delving deeper. The answer then becomes increasingly complex and challenging to unravel. I've again undertaken this journey recently, and my answer is below. Portrait of Paul Indigo by Magda Indigo. Thanks Magda! I also reviewed my images over the last ten-plus years, selected 30 of my favourite photos, and compiled them into a slide show. This was a challenging task. My favourites change by the day, probably by the minute. Still, eventually, I got to a selection I titled "That's Life." Please click through to YouTube to view the full screen. My approach to people and landscape photography is characterised by a distinctive blend of documentary and fine art techniques. I aim to create images that are both deeply personal and universally relatable. Through portraiture, I strive to showcase the broad spectrum of human experience. I a...