Skip to main content

Images that resonate













Two comic talents give an impromptu show on a street in Grahamstown, South Africa.

Usually people smile when they see this image. At first it's the expressions that catch the eye, then the hands and finally the tiny details like the dummy in the one guy's hand. I think my composition, the moment I captured, adds to the humour with the raised finger appearing to be under the nose of the other chap and direction of his gaze, all adding to the dynamism of the image.

In an earlier blog I talked about what makes us respond to an image. As I listed there are several factors but the second last point I made in the list is the most important one. We respond to an image because of personal associations and experiences.

The best term I've seen to describe this deep connection that one can have with an image is that it resonates. You can go to a gallery and admire the esthetics, the lighting, the composition, the subject matter and all the rest but if the image does not touch you on a deeper level, if it does not resonate with you, then you are not going to fall under its spell.

It's a strange business. After all these years I've got an idea of the types of image that resonate with me. But a curator could present me with hundreds of pictures that fit the description I could give and yet only a few of those images would actually hit that spot and connect on a deeper level with my inner world.

Sometimes an image that resonates is not technically perfect, other people will walk past it and see nothing special and yet it will stop me dead in my tracks. The whole subject is fascinating and I'll investigate it further because, quite frankly, at the moment this phenomenon is largely a mystery to me.

I'm always interested in hearing your thoughts.

Cheers,

Paul

Comments

Anonymous said…
Superbly written and thought provoking. Thanks.

Tim

Popular posts from this blog

Beyond the Obvious: Lessons from the Masters of Photography

  In photography, there’s more than technical skill or gear; the real art is in connection, storytelling, and moments that matter. In this blog, I’ll explore what I have learned by taking master classes with photographers like Steve McCurry, Joel Meyerowitz, and Albert Watson. One of the surprising outcomes of learning from them was discovering just how closely my  thoughts and practice aligned with theirs although I've always carved my own path. There is something delightful about finding kindred spirits. I wanted to share what I've learnt and remind us of our true practice as photographers behind the lens. Storytelling Through Human Connection A photograph should convey more than just skill—it should capture a story that resonates. Steve McCurry’s iconic Afghan Girl does this beautifully, capturing strength and vulnerability in a single frame. Like McCurry, I believe photography should reveal the depth and uniqueness of our subjects. This requires empathy, patience, and a ...

The portrait photographer's motivation

Easy access to the Internet and digital photography has resulted in an ever growing number of photographers uploading their images for comments and ratings from peers. Online communities evolve and these mini-societies each have their pecking order, internal groups and communal preferences. Photographers learn from each other. On sites that have a rating system there is often pressure to conform to certain styles, techniques and even subject matter. Although I participate in numerous sites (it's great fun), I recognise the danger of becoming a herd animal and losing the edge of individual creativity. There will always be the creatives that lead the way and the imitators that can only try to follow in their footsteps. This lead me to think about classifying photographers according their inner motivation. So as a bit of fun here are a few different types: The innovator Driven to always find something new, different and creative. Wants to be leading edge. Motivated by creative satisfa...

Why do you take photographs?

Have you ever asked yourself why you photograph? It's a question that can be answered with a simple one-sentence answer until you start delving deeper. The answer then becomes increasingly complex and challenging to unravel. I've again undertaken this journey recently, and my answer is below. Portrait of Paul Indigo by Magda Indigo. Thanks Magda! I also reviewed my images over the last ten-plus years, selected 30 of my favourite photos, and compiled them into a slide show. This was a challenging task. My favourites change by the day, probably by the minute. Still, eventually, I got to a selection I titled "That's Life." Please click through to YouTube to view the full screen. My approach to people and landscape photography is characterised by a distinctive blend of documentary and fine art techniques. I aim to create images that are both deeply personal and universally relatable. Through portraiture, I strive to showcase the broad spectrum of human experience. I a...