Skip to main content

Giving your images a feeling of quality























What's the number one ingredient that gives an image a sense of quality? It's something that's free and readily available. Hmm so not that new state-art-digital camera then... nope. Well it's got to be the lens then. Nope. "Free", oh I see, well it'll be the composition, depth of field and colour then.

Well no it is none of the above. I am sure you must have guessed already that I am talking about light. Photography is after all drawing with light. It pains me to see so many photographers spending a fortune on new equipment in the pursuit of clear, sharp images that exude a feeling of quality only to get knocked back with disapointing results.

If you have an understanding of light you can use a toy camera with a plastic lens and achieve a feeling of visual quality. Put that same knowledge together with a great camera system and you're on your way to quality Nirvana.

There are many excellent books and articles on the net about lighting so I'm not going to give a lesson here. All I want to do is say that in my view the most important factor in determining image quality is the lighting. Of course it's not the only factor.

It is however the most exciting to work with as the variables are almost infinite. Light is affected by the time of year, the atmospheric conditions, the time of day, reflections etc. Man made light also comes in a tremendous variety. I have a friend who used to do a lot of evening shots and he loved using car headlights, claimed no other light source gave him that exact quality.

In the studio using a softbox, a translucent white umbrella, a silver reflective umbrella, a beauty light ... all give vastly different results. The only way to really learn about light is by using your eyes to look at how different light sources behave and by examing your images. And don't think you have to invest in very expensive studio lights to get a good result. A cheap off camera flash with a translucent white umbrella can provide an excellent diffused light source, ideal for portraits. As always it pays to be creative and think outside the well worn paths that 'experts' and marketers try to drive everyone along.

The image of Ivan above was shot with a soft box, partly covered with black cloth to reduce the size of the light source (I didn't have a small softbox handy so improvised) and a backlight with a honeycomb. This image and others can be viewed in my online portrait exhibition on www.indigo2photography.co.uk

I am happy to respond to any questions you may have. Just email me.

Ciao,

Paul

Comments

Popular posts from this blog

The Story Behind the Stories in My Photography

 Thank you for taking the time to explore my work. Photography, to me, is a meditative act—an opportunity to be fully present and notice the smallest details. The interplay of colour and light, the textures and shapes, the shift of an expression, a gesture — these subtle moments bring me pure joy. They are why I love storytelling and creating visual poetry. Every image in my portfolio is born from a moment of connection or curiosity. Whether I’m in a bustling city street, a quiet room, or a remote location, I aim to create photographs that resonate with empathy. Take "The Cyclists," for example—what appears to be a simple scene of people pedalling along the pier transforms into a visual symphony of movement and stillness, the hurried energy balanced by the serene focus of the riders. This interplay between action and calm often draws me in. I’m drawn to capturing the essence of a person—their inner world, not just their outward appearance. My approach often dances between the...

Overcoming creative block and self doubt

Every photographer, for that matter every creative, I've ever met comes to a point when they're not happy with the work they're producing. The pendulum between creative highs and dry spells swings continuously. For some the cycle is long and the bouts are quite mild for others the feeling of doubt about their work can be a crushing experience which returns all to frequently. It's actually quite healthy to have these periods of doubt because it can often be the beginning of something new and interesting which takes you further than you thought possible. Creatives in the commercial world have to always perform and although they may agree looking back that they've had a few patches where their work was less good, they always seem to bounce back. A very few creative geniuses deliver such high quality work that their poorest attempts still surpass the rest of us. But I have never heard of anyone, from tortured soul of Van Gogh to the supreme showman and genius, Salvador ...

What You Photograph Reveals How You Think

  Photography is often described as a way of seeing. Less often do we talk about it as a way of thinking. What you choose to photograph, and just as importantly what you ignore, quietly mirrors how your mind works. Some photographers are drawn to faces, micro-expressions, emotional spikes. Others chase atmosphere, light, mood. Then there are those who gravitate towards structure, systems, order, the invisible logic holding a scene together. None of this is accidental. The camera becomes a sorting tool. It reveals what your brain prioritises. Where others see chaos, you might see alignment. Where some look for drama, you look for balance. Geometry, repetition, flow, layers, these aren’t just visual preferences, they’re cognitive ones. Strong graphic images tend to come from people who think spatially. Who notice how things relate before they notice what they mean. Lines before labels. Structure before story. And yet, the best images rarely stop there. They gain depth when human pres...