Skip to main content

Secrets of a portrait photographer

What is the secret to getting that special image, an exceptional portrait which captures something unique about the sitter?

Lets start with what it is not. It's not the camera. It's not even the lighting. Certainly not the technical know how of the photographer. It's also not clever Photoshop work. Although without all of the hardware, software and technical knowledge the options of the photographer are severely decreased and the chances of producing a successful portrait are correspondingly diminished.

The vital secret ingredient is building rapport with the sitter. This comes about through a combination of verbal and non-verbal communication.

You need to quickly put people at ease. 90 % of getting a good portrait is about getting someone to trust you and enjoy the session. You and your sitter embark on a brief moment of collaboration based on mutual trust and a shared goal to produce something creative and special together. Being able to break the ice is essential.

On the non-verbal side your body language has to be confident, open and non-threatening. The worst thing you can do is constantly fiddle with your camera and lights while ignoring the sitter. This is where good technical skills really pay dividends. Everything should be smooth and easy.

So next time you've got to take a portrait make sure you pack your charisma in your camera bag and know your technical stuff inside out.

All the best,

Paul

Comments

Azhar said…
Thats really great advice, I'll take that for tomorrow.

Popular posts from this blog

Approach to taking a portrait

Portrait of Amitabh Bachchan. Click on the image to see larger version. Every portrait is different but there are also elements which are the same, whether you’re shooting the famous or the locally famous. Fame is of course all relative. It depends on profession, accomplishments or media celebrity status. Whoever the ‘famous’ individual is there are millions of people in the world who will never have heard them. For example I photographed the legendary Indian Bollywood actor Amitabh Bachchan, who amongst his many accolades was awarded the Legion d'Honneur, the highest civilian award of France. But I’m positive that many people in North America will not have heard of him – although he has more fans than Tom Cruise, Jack Nicholson and Robert De Niro put together. I find that however well known a person is cracking through egos and insecurities is really important when it comes to getting authentic strong portraits. However I hasten to add that when it came to photographing Amitabh th

The portrait photographer's motivation

Easy access to the Internet and digital photography has resulted in an ever growing number of photographers uploading their images for comments and ratings from peers. Online communities evolve and these mini-societies each have their pecking order, internal groups and communal preferences. Photographers learn from each other. On sites that have a rating system there is often pressure to conform to certain styles, techniques and even subject matter. Although I participate in numerous sites (it's great fun), I recognise the danger of becoming a herd animal and losing the edge of individual creativity. There will always be the creatives that lead the way and the imitators that can only try to follow in their footsteps. This lead me to think about classifying photographers according their inner motivation. So as a bit of fun here are a few different types: The innovator Driven to always find something new, different and creative. Wants to be leading edge. Motivated by creative satisfa

Is professional photography still a viable career?

I am not against amateurs and semi-professionals selling their photography. It's a great way to earn some extra cash. However I am concerned about the level of high quality published work and the standards that clients and the public accept these days. It seems that just about everyone is a photographer. The line between amateur enthusiast and professional is fuzzy to say the least. Photography enthusiasts are selling their images through stock libraries and microstock websites, directly to magazines or through their own and third party sites. They're accepting commissions to shoot weddings, being hired to shoot for magazines and selling fine art prints from their websites. They're teaching photography on the weekend and guiding photographic holidays and safaris. Photography became accessible to the masses with the first non-expert cameras and the famous Kodak slogan"You press the button, we do the rest." The digital camera age has taken the whole thing to a ne