Skip to main content

Shooting RAW - software comparison

In my last two articles I’ve discussed the benefits of shooting in RAW format and some of the techniques I use to get the most out of the information captured by a digital camera sensor.
I also mentioned that not all RAW processing software will give you the same quality results.

Everyone works in different ways so here’s how I judged the four software packages that I’ve tried. I looked at ease of use, speed, flexibility, features and for me the most important thing of all, quality.

This is not an exhaustive or scientific test and you may have a different opinion – it’s just what works for me. I’ve tried Nikon Capture 4 (I use Nikon so don’t know how the other manufacture’s software compares), Adobe Photoshop CS2, Rawshooter Essentials 2006 and Capture One Pro.

Nikon Capture 4
Loaded with features including correction for fisheye lenses, filter plugins from NIk and totally integrated with the camera controls. It also enables you to shoot tethered to your computer. Results are good quality but the software is very clunky to use and oh so slow.

Rawshooter Essentials 2006
Lots of features, easy to use and its FREE. When you deal with RAW files shot at a high ISO there are some questions about the quality. See Gary Wolstenholme’s excellent article which compares the results from the three non camera manufacturer software packages discussed here.

Adobe Photoshop CS2
I found the RAW processing feature the easiest to use of those discussed here. Photoshop’s auto settings feature is pretty good as a starting point and many times you don’t have to do much more to the image. It has not got quite as many features as the other software packages but it is very convenient , straightforward and easy to use.

Capture One Pro/LE
If you’re after professional workflow and superb output quality then this is the software to go for and it is my preferred choice. Capture One pulls out more detail, gives you superb control and delivers a film like quality. Gary’s article covers the features in detail so I’m not going to repeat everything here again. The LE version has the same processing engine as the Pro version and unless you need the extra professional features don’t spend more than you have to as the output quality is the same (and that’s what really counts).

I hope you’ve found this useful and please feel free to email your comments to me or add them below.

All the best,Paul

Comments

Popular posts from this blog

Beyond the Obvious: Lessons from the Masters of Photography

  In photography, there’s more than technical skill or gear; the real art is in connection, storytelling, and moments that matter. In this blog, I’ll explore what I have learned by taking master classes with photographers like Steve McCurry, Joel Meyerowitz, and Albert Watson. One of the surprising outcomes of learning from them was discovering just how closely my  thoughts and practice aligned with theirs although I've always carved my own path. There is something delightful about finding kindred spirits. I wanted to share what I've learnt and remind us of our true practice as photographers behind the lens. Storytelling Through Human Connection A photograph should convey more than just skill—it should capture a story that resonates. Steve McCurry’s iconic Afghan Girl does this beautifully, capturing strength and vulnerability in a single frame. Like McCurry, I believe photography should reveal the depth and uniqueness of our subjects. This requires empathy, patience, and a ...

The portrait photographer's motivation

Easy access to the Internet and digital photography has resulted in an ever growing number of photographers uploading their images for comments and ratings from peers. Online communities evolve and these mini-societies each have their pecking order, internal groups and communal preferences. Photographers learn from each other. On sites that have a rating system there is often pressure to conform to certain styles, techniques and even subject matter. Although I participate in numerous sites (it's great fun), I recognise the danger of becoming a herd animal and losing the edge of individual creativity. There will always be the creatives that lead the way and the imitators that can only try to follow in their footsteps. This lead me to think about classifying photographers according their inner motivation. So as a bit of fun here are a few different types: The innovator Driven to always find something new, different and creative. Wants to be leading edge. Motivated by creative satisfa...

Why do you take photographs?

Have you ever asked yourself why you photograph? It's a question that can be answered with a simple one-sentence answer until you start delving deeper. The answer then becomes increasingly complex and challenging to unravel. I've again undertaken this journey recently, and my answer is below. Portrait of Paul Indigo by Magda Indigo. Thanks Magda! I also reviewed my images over the last ten-plus years, selected 30 of my favourite photos, and compiled them into a slide show. This was a challenging task. My favourites change by the day, probably by the minute. Still, eventually, I got to a selection I titled "That's Life." Please click through to YouTube to view the full screen. My approach to people and landscape photography is characterised by a distinctive blend of documentary and fine art techniques. I aim to create images that are both deeply personal and universally relatable. Through portraiture, I strive to showcase the broad spectrum of human experience. I a...