Skip to main content

What makes a great photograph great?


What makes a great photograph great? Now there's a big question. I bet if you asked 20 curators and 20 photographers that question you'd get a different answer from all of them.

I will try to distil the answer. You tell me if it resonates with what you feel and think too.

The usual text book answers to what makes a good photograph revolve around the composition, the lighting, colour, the action in the photograph, the content, story and emotion, but we all know that technically perfect photos, even of great subjects, can be uninspiring and uninteresting.

I think a great photograph goes beyond the individual elements. The sum is greater than the components.

All the elements work together, and as you look, something deeply personal unlocks in your brain. You have this moment when everything connects and makes sense. You go 'aha' I see it. You identify with the subject.

If you don't get that feeling from a photograph then it is just another snapshot.

Creating great images starts with the photographer setting out with a purpose and ends with audience understanding and sharing that purpose. When we recognise ourselves in the image we experience a powerful visceral effect.

For me that feeling comes from seeing how all the elements connect with each other, have a reason for being there, and help to tell the story. Beauty is indeed within the eye of the beholder.

As a photographer you have to ask yourself why am I taking this image. What am I seeing that is exciting my brain? And then you have to distil those answers down to their absolute essence within the frame, discarding anything that is not strictly relevant, anything that does not add to the image, and does not contribute to connecting all the elements together.

What do you think?

Thanks,
Paul Indigo
www.indigo2photography.com


Comments

Popular posts from this blog

The portrait photographer's motivation

Easy access to the Internet and digital photography has resulted in an ever growing number of photographers uploading their images for comments and ratings from peers. Online communities evolve and these mini-societies each have their pecking order, internal groups and communal preferences. Photographers learn from each other. On sites that have a rating system there is often pressure to conform to certain styles, techniques and even subject matter. Although I participate in numerous sites (it's great fun), I recognise the danger of becoming a herd animal and losing the edge of individual creativity. There will always be the creatives that lead the way and the imitators that can only try to follow in their footsteps. This lead me to think about classifying photographers according their inner motivation. So as a bit of fun here are a few different types: The innovator Driven to always find something new, different and creative. Wants to be leading edge. Motivated by creative satisfa...

Beyond the Obvious: Lessons from the Masters of Photography

  In photography, there’s more than technical skill or gear; the real art is in connection, storytelling, and moments that matter. In this blog, I’ll explore what I have learned by taking master classes with photographers like Steve McCurry, Joel Meyerowitz, and Albert Watson. One of the surprising outcomes of learning from them was discovering just how closely my  thoughts and practice aligned with theirs although I've always carved my own path. There is something delightful about finding kindred spirits. I wanted to share what I've learnt and remind us of our true practice as photographers behind the lens. Storytelling Through Human Connection A photograph should convey more than just skill—it should capture a story that resonates. Steve McCurry’s iconic Afghan Girl does this beautifully, capturing strength and vulnerability in a single frame. Like McCurry, I believe photography should reveal the depth and uniqueness of our subjects. This requires empathy, patience, and a ...

Why do you take photographs?

Have you ever asked yourself why you photograph? It's a question that can be answered with a simple one-sentence answer until you start delving deeper. The answer then becomes increasingly complex and challenging to unravel. I've again undertaken this journey recently, and my answer is below. Portrait of Paul Indigo by Magda Indigo. Thanks Magda! I also reviewed my images over the last ten-plus years, selected 30 of my favourite photos, and compiled them into a slide show. This was a challenging task. My favourites change by the day, probably by the minute. Still, eventually, I got to a selection I titled "That's Life." Please click through to YouTube to view the full screen. My approach to people and landscape photography is characterised by a distinctive blend of documentary and fine art techniques. I aim to create images that are both deeply personal and universally relatable. Through portraiture, I strive to showcase the broad spectrum of human experience. I a...