Skip to main content

Why are there so many bad photographers?

Browsing social photography websites like Flickr and 500px is a frustrating experience. Overall the quality of photography is horrible.

Home truths. Straight from the horse's mouth
Nobody dares say anything negative. Often votes and comments are motivated by a desire for reciprocation rather than because the viewer actually likes the image. Many people spend less than a second viewing an image. It's so easy to click the fave icon on a page of thumbnails.

People that receive a lot of votes/likes/favs are either good photographers or just good at playing the social game.

This has all been said before and I really am not bothered by the social side. The thing that bothers me is the lack of interest, effort and passion for their images among so many photographers.

Do they not see that when they push the saturation slider out near the maximum that the colours look awful, unnatural and garish?

Do they not see that when they over-sharpen or over-use the clarity tool that the images develop spots and artifacts that make it look horrible?

The list goes on, with cartoonish HDR and many more aberrations caused by filters and effects.

Sadly, under all the manipulation there's often a good image. But no, the photographer just could not resist adding a sun flare filter and putting some awful frame around the image. Why? Is reality not good enough?

Here are some truths to take away:


  • A poor composition can't be fixed with a filter.
  • An unsharp image will never be properly sharp, no matter how much sharpening you apply.
  • Without real interest, care and passion for your images they will never be good. 
  • Software will never make you a better photographer, one who engages and connects with their subject and produces beautiful work that stands up to serious scrutiny from people who know what good photography should look like.
  • Likes and favs are not a measure of photographic skill.
I'm not claiming to be the world's greatest photographer but I certainly know what good photography looks like, and it's really scarce.

What do I want to achieve? I'd like photographers out there to take a long, hard and honest look at the images they produce and aim to be better without trying to rely on tricks and gimmicks. 

My strongest plea is to those photographers who do make good compositions, to not add all sorts of filters and to go easy on the sliders in Photoshop, Lightroom etc. Camera manufacturers spend millions on research to make cameras that produce an excellent quality jpeg right out of the camera. Usually you have to do very little these days to get a decent quality image. 

Focus on taking great pictures, not on trying to produce them after you've pushed the shutter.

Thanks for your time.

Paul




Comments

Popular posts from this blog

The portrait photographer's motivation

Easy access to the Internet and digital photography has resulted in an ever growing number of photographers uploading their images for comments and ratings from peers. Online communities evolve and these mini-societies each have their pecking order, internal groups and communal preferences. Photographers learn from each other. On sites that have a rating system there is often pressure to conform to certain styles, techniques and even subject matter. Although I participate in numerous sites (it's great fun), I recognise the danger of becoming a herd animal and losing the edge of individual creativity. There will always be the creatives that lead the way and the imitators that can only try to follow in their footsteps. This lead me to think about classifying photographers according their inner motivation. So as a bit of fun here are a few different types: The innovator Driven to always find something new, different and creative. Wants to be leading edge. Motivated by creative satisfa...

Beyond the Obvious: Lessons from the Masters of Photography

  In photography, there’s more than technical skill or gear; the real art is in connection, storytelling, and moments that matter. In this blog, I’ll explore what I have learned by taking master classes with photographers like Steve McCurry, Joel Meyerowitz, and Albert Watson. One of the surprising outcomes of learning from them was discovering just how closely my  thoughts and practice aligned with theirs although I've always carved my own path. There is something delightful about finding kindred spirits. I wanted to share what I've learnt and remind us of our true practice as photographers behind the lens. Storytelling Through Human Connection A photograph should convey more than just skill—it should capture a story that resonates. Steve McCurry’s iconic Afghan Girl does this beautifully, capturing strength and vulnerability in a single frame. Like McCurry, I believe photography should reveal the depth and uniqueness of our subjects. This requires empathy, patience, and a ...

Why do you take photographs?

Have you ever asked yourself why you photograph? It's a question that can be answered with a simple one-sentence answer until you start delving deeper. The answer then becomes increasingly complex and challenging to unravel. I've again undertaken this journey recently, and my answer is below. Portrait of Paul Indigo by Magda Indigo. Thanks Magda! I also reviewed my images over the last ten-plus years, selected 30 of my favourite photos, and compiled them into a slide show. This was a challenging task. My favourites change by the day, probably by the minute. Still, eventually, I got to a selection I titled "That's Life." Please click through to YouTube to view the full screen. My approach to people and landscape photography is characterised by a distinctive blend of documentary and fine art techniques. I aim to create images that are both deeply personal and universally relatable. Through portraiture, I strive to showcase the broad spectrum of human experience. I a...