Skip to main content

Can image buyers pay less while artists earn more?


The answer is yes! Marketing departments, agencies, editors, art buyers, art directors and designers can all benefit from working directly with the artist.

The traditional route for an image buyer to find an image has been to go to a stock library or commission a photographer.

My top tip is to source and buy images direct from the artist. You will be able to negotiate a better deal than with a stock library and the artist will also be better off because they will not be giving up 50, 60 or even 80% of the selling price as commission to the stock library. The artist can afford to sell their work more cheaply than a stock library and still end up with more money in their pocket.

By dealing directly with the artist image buyers can licence an image under favourable terms, ensure competitors will not have the same image and perhaps even negotiate exclusivity. You will have direct access to authentic and original work.

There really are no barriers anymore for art buyers wanting to deal directly with artists.

How image buyers can gain the advantage:


  • Buy direct from the artist to save on budgets and reward the creators more fairly for their work
  • Use social media sites like Flickr to easily find the images you’re looking for from a vast, global pool of creative artists 
  • Online ecommerce and file transfer sites make transactions easy and secure, worldwide
  • Build a your own library of contacts and artists that you can rely on when working to tight deadlines
  • And last but not least: the pleasure of dealing with the artist directly, the creator.

So my plea to art buyers is: please consider buying direct from the artist.

If anyone reading this has any other tips for artists or art buyers I’d love to hear them. Feel free to join in the conversation.

Till soon,

Paul

www.indigo2photography.co.uk (we’re always happy to talk to art buyers looking for something specific)

Comments

Popular posts from this blog

Overcoming creative block and self doubt

Every photographer, for that matter every creative, I've ever met comes to a point when they're not happy with the work they're producing. The pendulum between creative highs and dry spells swings continuously. For some the cycle is long and the bouts are quite mild for others the feeling of doubt about their work can be a crushing experience which returns all to frequently. It's actually quite healthy to have these periods of doubt because it can often be the beginning of something new and interesting which takes you further than you thought possible. Creatives in the commercial world have to always perform and although they may agree looking back that they've had a few patches where their work was less good, they always seem to bounce back. A very few creative geniuses deliver such high quality work that their poorest attempts still surpass the rest of us. But I have never heard of anyone, from tortured soul of Van Gogh to the supreme showman and genius, Salvador ...

What You Photograph Reveals How You Think

  Photography is often described as a way of seeing. Less often do we talk about it as a way of thinking. What you choose to photograph, and just as importantly what you ignore, quietly mirrors how your mind works. Some photographers are drawn to faces, micro-expressions, emotional spikes. Others chase atmosphere, light, mood. Then there are those who gravitate towards structure, systems, order, the invisible logic holding a scene together. None of this is accidental. The camera becomes a sorting tool. It reveals what your brain prioritises. Where others see chaos, you might see alignment. Where some look for drama, you look for balance. Geometry, repetition, flow, layers, these aren’t just visual preferences, they’re cognitive ones. Strong graphic images tend to come from people who think spatially. Who notice how things relate before they notice what they mean. Lines before labels. Structure before story. And yet, the best images rarely stop there. They gain depth when human pres...

Is professional photography still a viable career?

I am not against amateurs and semi-professionals selling their photography. It's a great way to earn some extra cash. However I am concerned about the level of high quality published work and the standards that clients and the public accept these days. It seems that just about everyone is a photographer. The line between amateur enthusiast and professional is fuzzy to say the least. Photography enthusiasts are selling their images through stock libraries and microstock websites, directly to magazines or through their own and third party sites. They're accepting commissions to shoot weddings, being hired to shoot for magazines and selling fine art prints from their websites. They're teaching photography on the weekend and guiding photographic holidays and safaris. Photography became accessible to the masses with the first non-expert cameras and the famous Kodak slogan"You press the button, we do the rest." The digital camera age has taken the whole thing to a ne...