Skip to main content

How do you measure success as a photographer?

What signs should you follow?

If you upload pictures on social media websites you will know there is usually  some form of audience judgement of your success as a photographer.

How good you are is supposedly measured in votes, clicks, awards, views, badges...

This is a good strategy for website owners because everyone likes a pat on the back and so visitors keep coming back to their website for the rewards and little treats. As they say in website terminology it makes the site more 'sticky' and more visitors equals a bigger audience share and more revenue.

Photographers fall into the trap of trying to please broad website audiences and they let this cyber-gang steer and even rule their creativity.

Do you really want to let people who breeze past your image barely giving it a glance or pausing to comment, vote or paste a badge determine the direction of your creativity and influence your vision as a photographer? Most visitors are hoping you'll return the favour and visit their offering. It's a sad cycle to be caught up in.

If 'popularity' is not a measure of how good your photography is then what is a good measure?

  • Do people contact you out of the blue wanting to buy your work? 
  • Do people want to publish it and share it with others and exhibit it and talk about it? 
  • Does your work change opinions or even people's lives? 
  • Does it communicate ideas? 
  • Has someone sent you an email saying that your photography is incredible and it moves them deeply? 
  • Has anyone ever said to you that what you do has changed the way they see the world?

If this has happened to you then you're on the right path. Keep going. If not then you need to work harder on your art and focus on your creative vision rather than the hollow lure of popularity.

Being popular is wonderful so long as your fans genuinely value and love the work that you do. If your audience on the other hand has a different agenda for praising you and you fall into the trap of believing that their accolades mean you are making worthwhile art, then you are playing a fools game.

Till soon,
Paul
www.indigo2photography.co.uk

Comments

Popular posts from this blog

Overcoming creative block and self doubt

Every photographer, for that matter every creative, I've ever met comes to a point when they're not happy with the work they're producing. The pendulum between creative highs and dry spells swings continuously. For some the cycle is long and the bouts are quite mild for others the feeling of doubt about their work can be a crushing experience which returns all to frequently. It's actually quite healthy to have these periods of doubt because it can often be the beginning of something new and interesting which takes you further than you thought possible. Creatives in the commercial world have to always perform and although they may agree looking back that they've had a few patches where their work was less good, they always seem to bounce back. A very few creative geniuses deliver such high quality work that their poorest attempts still surpass the rest of us. But I have never heard of anyone, from tortured soul of Van Gogh to the supreme showman and genius, Salvador ...

What You Photograph Reveals How You Think

  Photography is often described as a way of seeing. Less often do we talk about it as a way of thinking. What you choose to photograph, and just as importantly what you ignore, quietly mirrors how your mind works. Some photographers are drawn to faces, micro-expressions, emotional spikes. Others chase atmosphere, light, mood. Then there are those who gravitate towards structure, systems, order, the invisible logic holding a scene together. None of this is accidental. The camera becomes a sorting tool. It reveals what your brain prioritises. Where others see chaos, you might see alignment. Where some look for drama, you look for balance. Geometry, repetition, flow, layers, these aren’t just visual preferences, they’re cognitive ones. Strong graphic images tend to come from people who think spatially. Who notice how things relate before they notice what they mean. Lines before labels. Structure before story. And yet, the best images rarely stop there. They gain depth when human pres...

Why do you take photographs?

Have you ever asked yourself why you photograph? It's a question that can be answered with a simple one-sentence answer until you start delving deeper. The answer then becomes increasingly complex and challenging to unravel. I've again undertaken this journey recently, and my answer is below. Portrait of Paul Indigo by Magda Indigo. Thanks Magda! I also reviewed my images over the last ten-plus years, selected 30 of my favourite photos, and compiled them into a slide show. This was a challenging task. My favourites change by the day, probably by the minute. Still, eventually, I got to a selection I titled "That's Life." Please click through to YouTube to view the full screen. My approach to people and landscape photography is characterised by a distinctive blend of documentary and fine art techniques. I aim to create images that are both deeply personal and universally relatable. Through portraiture, I strive to showcase the broad spectrum of human experience. I a...