I photographed this fish eye in the studio using my Horseman 4x5 technical camera with a 6x9 film back on Fuji colour negative. The neg was then scanned and converted to black and white in Photoshop. It looked a bit grim in colour with the blood in the eye. This way it becomes more abstract.
I used one overhead softbox with a Godard flash head. Luckily the job was completed relatively quickly and after opening the windows the smell of fresh fish soon left our studio.
I know I've not been around for awhile now. I've been swamped with work. However, I'm ready to take up the blogosphere again and normal service will resume.
Cheers,
Paul
www.indigo2photography.co.uk
Every photographer, for that matter every creative, I've ever met comes to a point when they're not happy with the work they're producing. The pendulum between creative highs and dry spells swings continuously. For some the cycle is long and the bouts are quite mild for others the feeling of doubt about their work can be a crushing experience which returns all to frequently. It's actually quite healthy to have these periods of doubt because it can often be the beginning of something new and interesting which takes you further than you thought possible. Creatives in the commercial world have to always perform and although they may agree looking back that they've had a few patches where their work was less good, they always seem to bounce back. A very few creative geniuses deliver such high quality work that their poorest attempts still surpass the rest of us. But I have never heard of anyone, from tortured soul of Van Gogh to the supreme showman and genius, Salvador ...
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