Skip to main content

Getting the light right

Glass artist and painter, Ivan, enjoys a cup of coffee. I used two medium sized softboxes and a flash with a honey comb to rim light the black beret so that it separated from the black background.

You've heard it so many times before. Photography is about light. It seems obvious but I still see photography enthusiasts obsessing about cameras and equipment rather than concentrating on the one simple element they can use to improve their pictures - lighting.

Yes, studio flash costs a fair amount but as the Strobists demonstrate you can use off camera flash and get amazing effects. Light modification devices abound, anything from a piece of foam to a Tupperware container will do. I've seen fabulous portraits created with just one naked light bulb. Then there are thousands of ways to modify daylight from using reflectors to black panels that absorb light (subtractive lighting).

It's not equipment that is a limitation, it is rather a lack of imagination and creativity. So I urge, think about light not camera equipment.

To see some more examples of how I have used light click here (especially the mono portraits portfolio).

Cheers,

Paul

www.indigo2photography.co.uk

Comments

Anonymous said…
Dear Paul,

Once again, you touch on a worthy subject, the role of light in photography, providing a tip on mastering her. I visit your site frequently and always enjoy your photographic musings. Keep up the good work.

We are on the same wavelength it seems, I just having written a blogpost concerning natural light as compositional element at the Photography and Creative Process website, www.wmgphotoblog.com

I invite you to visit my website. As always, I welcome your comments on my post, however, comments are shut down on the blog to combat spam. If you are inclined to comment, drop me a line at wmgpics@att.biz.

Bill Gatesman
www.wmgphoto.com
www.wmgphotoblog.com
Unknown said…
What a great subject and stunningly photographed. The use of light is amazin!!!!


Adrian
www.weddingphotoshot.com
Nick said…
This picture has such a great mood to it on.

Original and online alternative since 2005

Nick
www.uploadourday.com

Popular posts from this blog

The Story Behind the Stories in My Photography

 Thank you for taking the time to explore my work. Photography, to me, is a meditative act—an opportunity to be fully present and notice the smallest details. The interplay of colour and light, the textures and shapes, the shift of an expression, a gesture — these subtle moments bring me pure joy. They are why I love storytelling and creating visual poetry. Every image in my portfolio is born from a moment of connection or curiosity. Whether I’m in a bustling city street, a quiet room, or a remote location, I aim to create photographs that resonate with empathy. Take "The Cyclists," for example—what appears to be a simple scene of people pedalling along the pier transforms into a visual symphony of movement and stillness, the hurried energy balanced by the serene focus of the riders. This interplay between action and calm often draws me in. I’m drawn to capturing the essence of a person—their inner world, not just their outward appearance. My approach often dances between the...

Overcoming creative block and self doubt

Every photographer, for that matter every creative, I've ever met comes to a point when they're not happy with the work they're producing. The pendulum between creative highs and dry spells swings continuously. For some the cycle is long and the bouts are quite mild for others the feeling of doubt about their work can be a crushing experience which returns all to frequently. It's actually quite healthy to have these periods of doubt because it can often be the beginning of something new and interesting which takes you further than you thought possible. Creatives in the commercial world have to always perform and although they may agree looking back that they've had a few patches where their work was less good, they always seem to bounce back. A very few creative geniuses deliver such high quality work that their poorest attempts still surpass the rest of us. But I have never heard of anyone, from tortured soul of Van Gogh to the supreme showman and genius, Salvador ...

What You Photograph Reveals How You Think

  Photography is often described as a way of seeing. Less often do we talk about it as a way of thinking. What you choose to photograph, and just as importantly what you ignore, quietly mirrors how your mind works. Some photographers are drawn to faces, micro-expressions, emotional spikes. Others chase atmosphere, light, mood. Then there are those who gravitate towards structure, systems, order, the invisible logic holding a scene together. None of this is accidental. The camera becomes a sorting tool. It reveals what your brain prioritises. Where others see chaos, you might see alignment. Where some look for drama, you look for balance. Geometry, repetition, flow, layers, these aren’t just visual preferences, they’re cognitive ones. Strong graphic images tend to come from people who think spatially. Who notice how things relate before they notice what they mean. Lines before labels. Structure before story. And yet, the best images rarely stop there. They gain depth when human pres...