Laura Lippman bestselling author

Best selling American author Laura Lippman.

Here's an extract from her official bio:

Laura Lippman was a reporter for twenty years, including twelve years at The (Baltimore) Sun. She began writing novels while working fulltime and published seven books about “accidental PI” Tess Monaghan before leaving daily journalism in 2001. Her work has been awarded the Edgar ®, the Anthony, the Agatha, the Shamus, the Nero Wolfe, Gumshoe and Barry awards. She also has been nominated for other prizes in the crime fiction field, including the Hammett
and the Macavity. She was the first-ever recipient of the Mayor’s Prize for Literary Excellence and the first genre writer recognized as Author of the Year by the Maryland Library Association.

NOVELS
Baltimore Blues* (1997, nominated for the Shamus Award for best first PI novel.)
Charm City* (1997, winner of the Eddgar ® and Shamus awards for best
paperback original, nominated for the Anthony Award.)
Butchers Hill* (1998, winner of the Agatha Award for best novel, winner of the
Anthony Award for best paperback original, nominated for the
Edgar ®, Shamus and Macavity awards.)
In Big Trouble* (1999, winner of the Anthony and Shamus awards, nominated for
an Edgar ® and Agatha.)
The Sugar House* (2000, winner of the Nero Wolfe Award.)
In a Strange City *(2001, a New York Times Notable Book.)
The Last Place* (2002, nominated for the Shamus Award.)
Every Secret Thing (2003, winner of the Anthony and Barry Awards, nominated
for the Hammett.)
By a Spider’s Thread* (2004, nominated for the Edgar, Agatha and Anthony
awards, winner of the Romantic Times Award for Best PI Novel.)
To the Power of Three (2005.) (winner of the Gumshoe Award for Best Novel.)
No Good Deeds* (2006.)
*Denotes a Tess Monaghan title.

I really enjoyed making this portrait of her. She's a charming witty lady who has great patience with her photographer, yours truly.

Cheers,
Paul

Comments

The Story Behind the Stories in My Photography

Thank you for taking the time to explore my work. Photography, to me, is a meditative act—an opportunity to be fully present and notice the smallest details. The interplay of colour and light, the textures and shapes, the shift of an expression, a gesture — these subtle moments bring me pure joy. They are why I love storytelling and creating visual poetry. Every image in my portfolio is born from a moment of connection or curiosity. Whether I’m in a bustling city street, a quiet room, or a remote location, I aim to create photographs that resonate with empathy. Take "The Cyclists," for example—what appears to be a simple scene of people pedalling along the pier transforms into a visual symphony of movement and stillness, the hurried energy balanced by the serene focus of the riders. This interplay between action and calm often draws me in. I’m drawn to capturing the essence of a person—their inner world, not just their outward appearance. My approach often dances between the...

Beyond the Obvious: Lessons from the Masters of Photography

In photography, there’s more than technical skill or gear; the real art is in connection, storytelling, and moments that matter. In this blog, I’ll explore what I have learned by taking master classes with photographers like Steve McCurry, Joel Meyerowitz, and Albert Watson. One of the surprising outcomes of learning from them was discovering just how closely my thoughts and practice aligned with theirs although I've always carved my own path. There is something delightful about finding kindred spirits. I wanted to share what I've learnt and remind us of our true practice as photographers behind the lens. Storytelling Through Human Connection A photograph should convey more than just skill—it should capture a story that resonates. Steve McCurry’s iconic Afghan Girl does this beautifully, capturing strength and vulnerability in a single frame. Like McCurry, I believe photography should reveal the depth and uniqueness of our subjects. This requires empathy, patience, and a ...

Overcoming creative block and self doubt

Every photographer, for that matter every creative, I've ever met comes to a point when they're not happy with the work they're producing. The pendulum between creative highs and dry spells swings continuously. For some the cycle is long and the bouts are quite mild for others the feeling of doubt about their work can be a crushing experience which returns all to frequently. It's actually quite healthy to have these periods of doubt because it can often be the beginning of something new and interesting which takes you further than you thought possible. Creatives in the commercial world have to always perform and although they may agree looking back that they've had a few patches where their work was less good, they always seem to bounce back. A very few creative geniuses deliver such high quality work that their poorest attempts still surpass the rest of us. But I have never heard of anyone, from tortured soul of Van Gogh to the supreme showman and genius, Salvador ...

Beyond the obvious

Search This Blog