Skip to main content

Creating atmosphere

There's a eerie feeling around the Wheal Coates cliff-top mine buildings. A sense of history hits you in a place like this where few miners were fit to work past the age of 40 and many died young. Woman and children younger than 12 years old worked above ground.

Despite the crowds of tourists wandering around I wanted to capture something of the atmosphere of the place. It was a bright sunny day with a haze hanging over the horizon.

I saw Magda walking off toward the next building, her dark clothes contrasting with her sunlit hair. She seemed in that moment almost like a spirit of the past. The new piece of wall brings the image up-to-date and besides creating an interesting piece of contrast prevents the image from being contrived. I used the walls to create a sense of depth, hopefully pulling the whole composition together in spite of how small the focal point, Magda, is in the frame. Ultimately I hope the image show something of the scale of the place and conveys its atmosphere.

"In the 18th and 19th centuries, it was common place for children to be employed at the tin mines.

In 1839, 7,000 children were employed in Cornish tin mines.

Until the age of 12, young boys worked largely above ground, breaking up rock as it was brought to the surface.

Women, known in the trade as 'Bal Maidens', were also employed to perform similar duties.

Using small hammers, the women and children would break the ore down to manageable sizes before loading into trolleys and pushing it to the ore crushing machine."

From: BBC Film -CORNWALL - WORKING CONDITIONS IN CORNISH TIN MINES

Cheers for now,

Paul

Comments

Popular posts from this blog

Approach to taking a portrait

Portrait of Amitabh Bachchan. Click on the image to see larger version. Every portrait is different but there are also elements which are the same, whether you’re shooting the famous or the locally famous. Fame is of course all relative. It depends on profession, accomplishments or media celebrity status. Whoever the ‘famous’ individual is there are millions of people in the world who will never have heard them. For example I photographed the legendary Indian Bollywood actor Amitabh Bachchan, who amongst his many accolades was awarded the Legion d'Honneur, the highest civilian award of France. But I’m positive that many people in North America will not have heard of him – although he has more fans than Tom Cruise, Jack Nicholson and Robert De Niro put together. I find that however well known a person is cracking through egos and insecurities is really important when it comes to getting authentic strong portraits. However I hasten to add that when it came to photographing Amitabh th

Capturing the truth: The power of documentary photography to shape public opinion

Photographer, writer and artist, Paul Indigo (Photo by Magda Indigo ) Documentary photography is more important than ever because it plays a critical role in informing and shaping public opinion, particularly in today's fast-paced, information-saturated world. With the rise of social media and the 24-hour news cycle, we are bombarded with images and information daily. It can be difficult to separate fact from fiction. From a trusted source, documentary photography counterbalances the often sensationalised and biased coverage of social and political issues. Documentary photography can challenge dominant narratives and foster greater understanding and empathy by presenting a nuanced, humanistic perspective on complex issues. It can highlight underreported and marginalised issues, giving voice to those who are often ignored or silenced. In a world where many people feel disenfranchised and marginalised, documentary photography can help to create a sense of community and solidarity by

The portrait photographer's motivation

Easy access to the Internet and digital photography has resulted in an ever growing number of photographers uploading their images for comments and ratings from peers. Online communities evolve and these mini-societies each have their pecking order, internal groups and communal preferences. Photographers learn from each other. On sites that have a rating system there is often pressure to conform to certain styles, techniques and even subject matter. Although I participate in numerous sites (it's great fun), I recognise the danger of becoming a herd animal and losing the edge of individual creativity. There will always be the creatives that lead the way and the imitators that can only try to follow in their footsteps. This lead me to think about classifying photographers according their inner motivation. So as a bit of fun here are a few different types: The innovator Driven to always find something new, different and creative. Wants to be leading edge. Motivated by creative satisfa