Skip to main content

Recognition

Young lady in the city.

The above image has done rather well on a website where photographers share their images for critiques and points. Obviously I like it or I would not have uploaded the image. The thing that makes it stand out is the digital manipulation that I applied to the image. It literally took five minutes to do.

The thing that bothers me though is that while I'm grateful for the recognition from other photographers I have produced far more meaningful images that have received virtually no attention. It seems that for the audience on this website the key point of interest is not the story a picture tells or the emotion it evokes but rather that a technique has been used.

Any artist or creative is happy and flattered when their work gets attention but I think it is rather sad that so many images in the world by photographers who genuinely capture emotion or communicate something important are ignored by the photographic community.

Their praise then rings rather hollow and leaves me with an empty feeling and some sadness. It is a shallow and superficial world we live in. Luckily there are always a few people who do comment and recognise an image that really communicates an emotion and tells a story.

More soon....

Paul
Labels:

Comments

David Toyne said…
What's caused the unusual background Paul?
15:47
Beyond the obvious said…
Blur added using Photoshop.
Cheers,
Paul
00:07
Post a Comment

Popular posts from this blog

The Story Behind the Stories in My Photography

 Thank you for taking the time to explore my work. Photography, to me, is a meditative act—an opportunity to be fully present and notice the smallest details. The interplay of colour and light, the textures and shapes, the shift of an expression, a gesture — these subtle moments bring me pure joy. They are why I love storytelling and creating visual poetry. Every image in my portfolio is born from a moment of connection or curiosity. Whether I’m in a bustling city street, a quiet room, or a remote location, I aim to create photographs that resonate with empathy. Take "The Cyclists," for example—what appears to be a simple scene of people pedalling along the pier transforms into a visual symphony of movement and stillness, the hurried energy balanced by the serene focus of the riders. This interplay between action and calm often draws me in. I’m drawn to capturing the essence of a person—their inner world, not just their outward appearance. My approach often dances between the...
Post a Comment
Read more

Overcoming creative block and self doubt

Every photographer, for that matter every creative, I've ever met comes to a point when they're not happy with the work they're producing. The pendulum between creative highs and dry spells swings continuously. For some the cycle is long and the bouts are quite mild for others the feeling of doubt about their work can be a crushing experience which returns all to frequently. It's actually quite healthy to have these periods of doubt because it can often be the beginning of something new and interesting which takes you further than you thought possible. Creatives in the commercial world have to always perform and although they may agree looking back that they've had a few patches where their work was less good, they always seem to bounce back. A very few creative geniuses deliver such high quality work that their poorest attempts still surpass the rest of us. But I have never heard of anyone, from tortured soul of Van Gogh to the supreme showman and genius, Salvador ...
22 comments
Read more

What You Photograph Reveals How You Think

  Photography is often described as a way of seeing. Less often do we talk about it as a way of thinking. What you choose to photograph, and just as importantly what you ignore, quietly mirrors how your mind works. Some photographers are drawn to faces, micro-expressions, emotional spikes. Others chase atmosphere, light, mood. Then there are those who gravitate towards structure, systems, order, the invisible logic holding a scene together. None of this is accidental. The camera becomes a sorting tool. It reveals what your brain prioritises. Where others see chaos, you might see alignment. Where some look for drama, you look for balance. Geometry, repetition, flow, layers, these aren’t just visual preferences, they’re cognitive ones. Strong graphic images tend to come from people who think spatially. Who notice how things relate before they notice what they mean. Lines before labels. Structure before story. And yet, the best images rarely stop there. They gain depth when human pres...
1 comment
Read more