Skip to main content

Just another pretty picture or are you on a mission?

Why do photographers take pictures? Well there's a huge question. If you're a photographer and you hope to get your work published in some form, a book an exhibition, online or in print then I've got some pointers which may help you.

On the other hand, if you only want to make pretty pictures that people like, then your focus will be on technique, equipment and the craft of picture taking. For me, and I think most serious photographers, the craft of picture taking can be compared to learning the mechanics of driving a car.

We need to learn how to handle the controls of the car because we want to be able to get safely and smoothly from point A to B. You can hone your driving technique all you want till you're as slick as a formulae 1 driver but that's still not going to get you anywhere unless you know where you want to go. Right, I've laboured that metaphor enough for now. Back to the main story.

You're a serious photographer and you want to be published. The first thing you've got to think about is what your interests are. You need a strong, unique, concept; something that you feel passionate about, to hang your photographic work on. Like any mission yours' will start with a statement setting out your big idea, what you want to achieve, timescales, budgets, geographical scale and deadlines, as well as your end product ie the outcomes you hope to achieve such as an exhibition or a book, or both.

Once you've got all of this down in writing and you've refined your mission statement, you're ready to start planning the steps you need to take so you can achieve your goal. Think of your mission statement along the lines of what you would say if you had an idea for a movie and you had 60 seconds to pitch it to a Hollywood producer. If you are going to get an exhibition or a book you will inevitably be in the position of having to pitch your work. So it makes sense to get it down right from the start.

At the core of everything is what you want to communicate or show your audience, whether it's informing them of something, getting them to care, showing something that's never been seen before or simply conveying an emotion. Whatever you want to communicate, a mission orientated focus for your photography will definitely take it beyond producing just another pretty picture.

That's it from me till next time. I plan to write about how working on a photographic project will change your photography and the way you see the world. As always I welcome hearing your thoughts.

Cheers,
Paul

Comments

Anonymous said…
Okay I've read the article I've picked a project. Now all I need is to figure out how to photograph cognative dissonance...
Sounds like a real challenge David. Good luck :)

Popular posts from this blog

Overcoming creative block and self doubt

Every photographer, for that matter every creative, I've ever met comes to a point when they're not happy with the work they're producing. The pendulum between creative highs and dry spells swings continuously. For some the cycle is long and the bouts are quite mild for others the feeling of doubt about their work can be a crushing experience which returns all to frequently. It's actually quite healthy to have these periods of doubt because it can often be the beginning of something new and interesting which takes you further than you thought possible. Creatives in the commercial world have to always perform and although they may agree looking back that they've had a few patches where their work was less good, they always seem to bounce back. A very few creative geniuses deliver such high quality work that their poorest attempts still surpass the rest of us. But I have never heard of anyone, from tortured soul of Van Gogh to the supreme showman and genius, Salvador ...

What You Photograph Reveals How You Think

  Photography is often described as a way of seeing. Less often do we talk about it as a way of thinking. What you choose to photograph, and just as importantly what you ignore, quietly mirrors how your mind works. Some photographers are drawn to faces, micro-expressions, emotional spikes. Others chase atmosphere, light, mood. Then there are those who gravitate towards structure, systems, order, the invisible logic holding a scene together. None of this is accidental. The camera becomes a sorting tool. It reveals what your brain prioritises. Where others see chaos, you might see alignment. Where some look for drama, you look for balance. Geometry, repetition, flow, layers, these aren’t just visual preferences, they’re cognitive ones. Strong graphic images tend to come from people who think spatially. Who notice how things relate before they notice what they mean. Lines before labels. Structure before story. And yet, the best images rarely stop there. They gain depth when human pres...

Why do you take photographs?

Have you ever asked yourself why you photograph? It's a question that can be answered with a simple one-sentence answer until you start delving deeper. The answer then becomes increasingly complex and challenging to unravel. I've again undertaken this journey recently, and my answer is below. Portrait of Paul Indigo by Magda Indigo. Thanks Magda! I also reviewed my images over the last ten-plus years, selected 30 of my favourite photos, and compiled them into a slide show. This was a challenging task. My favourites change by the day, probably by the minute. Still, eventually, I got to a selection I titled "That's Life." Please click through to YouTube to view the full screen. My approach to people and landscape photography is characterised by a distinctive blend of documentary and fine art techniques. I aim to create images that are both deeply personal and universally relatable. Through portraiture, I strive to showcase the broad spectrum of human experience. I a...