Skip to main content

Establishing rapport with your subject

Good portraits are usually the result of collaboration between the photographer and the subject. It's vital to establish a rapport. So here are a few tricks of the trade which can come in handy - in non-photographic situations as well.

Firstly, when you shoot a portrait you should have everything prepared. Nothing breaks down a relationship faster between subject and photographer than fiddling around with lighting and camera settings - unless you can do it while keeping up a healthy banter. Actually the fatal error here is ignoring your sitter.

When you photograph somebody they should feel like they're the most important person in the world. Being in front of the lens doesn't come naturally to most people. Lots of experienced models I know still feel vulnerable in front of the lens, until you put them at ease.

So there we already have two important principles. Don't ignore your sitter and do everything you can to put them at ease.

How do you build rapport quickly? Well I'm not a psychologist so what I say here is based on experience rather than scientific theory. If I can then I try to find out something about the person I'm going to photograph, what their interests are, what they're passionate about. Then I think of a few intelligent questions to ask them. It helps to have a sense of humour and a tasteful joke up your sleeve too.

Once you get someone talking about their interests, listen carefully. I am a sponge for information and take an interest in most things. Being a good photographer is knowing a lot more than just about cameras, lenses and lighting.

Now here's a golden tip. Pick up on the last phrase your sitter says, repeat it and turn it into a question or a statement. This will help you lead the conversation on smoothly. For example the sitter explains how they love sailing their yacht and ends the description by saying, "... and we sailed into the harbour under full spinnaker." You would then say, "Under full spinnaker? I didn't think they allowed yachts to come in under spinnaker." Then pause and your sitter will naturally feel inclined to explain their point ... keeping the conversation moving.

Just remember. It's all about them, not about you. If they want to know something then they'll ask. The trick is then to give a concise, appropriate answer and steer the conversation back to them. For heavens sake don't go on about all your achievements, or even worse about all the problems you may have. The last thing your subject wants to hear about are your problems and difficulties.

So there you go. A non-photographic photography blog. But I hope you found it useful anyway. As I always say there's a lot more to photography and getting the shot than just the photographic part.

Cheers,
Paul

Comments

Anonymous said…
Keep the blogs coming Paul as they are so interesting to read and informative too.

Popular posts from this blog

Overcoming creative block and self doubt

Every photographer, for that matter every creative, I've ever met comes to a point when they're not happy with the work they're producing. The pendulum between creative highs and dry spells swings continuously. For some the cycle is long and the bouts are quite mild for others the feeling of doubt about their work can be a crushing experience which returns all to frequently. It's actually quite healthy to have these periods of doubt because it can often be the beginning of something new and interesting which takes you further than you thought possible. Creatives in the commercial world have to always perform and although they may agree looking back that they've had a few patches where their work was less good, they always seem to bounce back. A very few creative geniuses deliver such high quality work that their poorest attempts still surpass the rest of us. But I have never heard of anyone, from tortured soul of Van Gogh to the supreme showman and genius, Salvador ...

What You Photograph Reveals How You Think

  Photography is often described as a way of seeing. Less often do we talk about it as a way of thinking. What you choose to photograph, and just as importantly what you ignore, quietly mirrors how your mind works. Some photographers are drawn to faces, micro-expressions, emotional spikes. Others chase atmosphere, light, mood. Then there are those who gravitate towards structure, systems, order, the invisible logic holding a scene together. None of this is accidental. The camera becomes a sorting tool. It reveals what your brain prioritises. Where others see chaos, you might see alignment. Where some look for drama, you look for balance. Geometry, repetition, flow, layers, these aren’t just visual preferences, they’re cognitive ones. Strong graphic images tend to come from people who think spatially. Who notice how things relate before they notice what they mean. Lines before labels. Structure before story. And yet, the best images rarely stop there. They gain depth when human pres...

Why do you take photographs?

Have you ever asked yourself why you photograph? It's a question that can be answered with a simple one-sentence answer until you start delving deeper. The answer then becomes increasingly complex and challenging to unravel. I've again undertaken this journey recently, and my answer is below. Portrait of Paul Indigo by Magda Indigo. Thanks Magda! I also reviewed my images over the last ten-plus years, selected 30 of my favourite photos, and compiled them into a slide show. This was a challenging task. My favourites change by the day, probably by the minute. Still, eventually, I got to a selection I titled "That's Life." Please click through to YouTube to view the full screen. My approach to people and landscape photography is characterised by a distinctive blend of documentary and fine art techniques. I aim to create images that are both deeply personal and universally relatable. Through portraiture, I strive to showcase the broad spectrum of human experience. I a...