Skip to main content

Why I chose the EOS 5D

Apologies to all my faithful readers for the longish silence. I will catch up soon with some new articles. Been working my socks off. And to keep me company on my journeys I've just bought the Canon EOS 5D.

After more than 20 years working with Nikon, and owning a set of top quality lenses, why did I make the switch? Firstly let me just once again say that I think the whole brand thing plays into the hands of the marketers. Being a marketer myself I know how it works and despite the awareness of how we get manipulated into thinking that a brand name can add a certain quality to an object, I must say that the switch to Canon seemed like a bit of a betrayal.

But the practical reasons were overwhelming. I originally had my eye on the obvious choice, a D200, but I've not even seen one in the shops. Nikon really messed up by not making them available ie producing enough. Waiting lists everywhere. If it had not been for the waiting lists I probably would have strolled into a shop months ago and walked out with a D200. But I'm not one to buy something without first having it in my hands.

Then there was the research. After extensive investigation it was clear the Canon 5D has the edge when it comes to resolution and capturing the finest detail. It produces huge files which are accepted by the Getty stock library, the only digital SLR that is officially recognised besides Canon's top professional full frame DSLR. Then there's the 5D's wonderful big viewfinder and the pleasure of using true wide-angle lenses, without having to deal with crop factors.

At the end of the day the EOS 5D is the ideal camera for me. I hate lugging weight around so again the 5D is a better choice for me than the Canon 1DsMKII.

So there you have it. I am absolutely delighted with the results so far and will be uploading some images on the various sites where I publish my work.

I'll write a more generally informative article this weekend.

Till then...

Paul

Comments

Popular posts from this blog

Approach to taking a portrait

Portrait of Amitabh Bachchan. Click on the image to see larger version. Every portrait is different but there are also elements which are the same, whether you’re shooting the famous or the locally famous. Fame is of course all relative. It depends on profession, accomplishments or media celebrity status. Whoever the ‘famous’ individual is there are millions of people in the world who will never have heard them. For example I photographed the legendary Indian Bollywood actor Amitabh Bachchan, who amongst his many accolades was awarded the Legion d'Honneur, the highest civilian award of France. But I’m positive that many people in North America will not have heard of him – although he has more fans than Tom Cruise, Jack Nicholson and Robert De Niro put together. I find that however well known a person is cracking through egos and insecurities is really important when it comes to getting authentic strong portraits. However I hasten to add that when it came to photographing Amitabh th

Capturing the truth: The power of documentary photography to shape public opinion

Photographer, writer and artist, Paul Indigo (Photo by Magda Indigo ) Documentary photography is more important than ever because it plays a critical role in informing and shaping public opinion, particularly in today's fast-paced, information-saturated world. With the rise of social media and the 24-hour news cycle, we are bombarded with images and information daily. It can be difficult to separate fact from fiction. From a trusted source, documentary photography counterbalances the often sensationalised and biased coverage of social and political issues. Documentary photography can challenge dominant narratives and foster greater understanding and empathy by presenting a nuanced, humanistic perspective on complex issues. It can highlight underreported and marginalised issues, giving voice to those who are often ignored or silenced. In a world where many people feel disenfranchised and marginalised, documentary photography can help to create a sense of community and solidarity by

The portrait photographer's motivation

Easy access to the Internet and digital photography has resulted in an ever growing number of photographers uploading their images for comments and ratings from peers. Online communities evolve and these mini-societies each have their pecking order, internal groups and communal preferences. Photographers learn from each other. On sites that have a rating system there is often pressure to conform to certain styles, techniques and even subject matter. Although I participate in numerous sites (it's great fun), I recognise the danger of becoming a herd animal and losing the edge of individual creativity. There will always be the creatives that lead the way and the imitators that can only try to follow in their footsteps. This lead me to think about classifying photographers according their inner motivation. So as a bit of fun here are a few different types: The innovator Driven to always find something new, different and creative. Wants to be leading edge. Motivated by creative satisfa