Skip to main content

The value of preparation

Photography is instant. You press the shutter and capture a split second of light reflecting off your subject and registering on the camera's film or sensor. I've found that the most satisfying captures are often those special moments when the action unfolds in front of you and, just as everything comes together, you push the shutter. Magic.

So it's no wonder that so many photographers go off half-cocked. After all photography appears to be one of the most spontaneous 'art forms' there is.

In fact to create magic takes a lot of preparation. Before you do anything you should be considering what you want to shoot, the lenses you will need, the set up of your camera, background information on the location, know who you want to photograph or what. It's dedication and attention to detail that separates the photographer with a professional attitude from a happy snapper.

Even papparrazi take the time to learn locations, habits of their prey, build up vital contacts and most of them memorise loads of license plate numbers and phone numbers. Wedding photographers may do pre-wedding photo-shoots, scout locations and certainly take a detailed brief from the couple. Landscape photographers need to know what to expect from the weather, should have an idea of the angle of the sun, the tides if they're on the coast, the history of the place and what to expect generally from the location.

At the center and heart of every bit of preparation is the photographer thinking about and pre-visualising what he or she wants to shoot and how. This will inform all sorts of decisions such as equipment to take (why carry loads of stuff you won't need or use) and how to set up cameras to optimise the results.

No matter what you do when it comes to photography, by the time you pick up your camera to take the first shot you should have done stacks of preparation - if you're serious about getting the best possible results.

Please let me know if you found this useful by sending me an email. Could you also tell me if you would like to be added to my new mailing list. I plan to send out irregular emails about particular events, with tips and news that I don't include in my blog (my blog is more about personal opinion than photographic news).

Looking forward to hearing from you.

Paul Indigo

Comments

Anonymous said…
Excellent blog. I have enjoyed reading several of your interesting articles.

Will send you an email to join your mailing list.

Thank you.

Jo Armstrong
Anonymous said…
Just found you blog. Recommended by a friend. Intelligent and interesting. I've got a lot to learn :-)
Regards, David Griffith
PS will send you an email

Popular posts from this blog

Beyond the Obvious: Lessons from the Masters of Photography

  In photography, there’s more than technical skill or gear; the real art is in connection, storytelling, and moments that matter. In this blog, I’ll explore what I have learned by taking master classes with photographers like Steve McCurry, Joel Meyerowitz, and Albert Watson. One of the surprising outcomes of learning from them was discovering just how closely my  thoughts and practice aligned with theirs although I've always carved my own path. There is something delightful about finding kindred spirits. I wanted to share what I've learnt and remind us of our true practice as photographers behind the lens. Storytelling Through Human Connection A photograph should convey more than just skill—it should capture a story that resonates. Steve McCurry’s iconic Afghan Girl does this beautifully, capturing strength and vulnerability in a single frame. Like McCurry, I believe photography should reveal the depth and uniqueness of our subjects. This requires empathy, patience, and a ...

The portrait photographer's motivation

Easy access to the Internet and digital photography has resulted in an ever growing number of photographers uploading their images for comments and ratings from peers. Online communities evolve and these mini-societies each have their pecking order, internal groups and communal preferences. Photographers learn from each other. On sites that have a rating system there is often pressure to conform to certain styles, techniques and even subject matter. Although I participate in numerous sites (it's great fun), I recognise the danger of becoming a herd animal and losing the edge of individual creativity. There will always be the creatives that lead the way and the imitators that can only try to follow in their footsteps. This lead me to think about classifying photographers according their inner motivation. So as a bit of fun here are a few different types: The innovator Driven to always find something new, different and creative. Wants to be leading edge. Motivated by creative satisfa...

Why do you take photographs?

Have you ever asked yourself why you photograph? It's a question that can be answered with a simple one-sentence answer until you start delving deeper. The answer then becomes increasingly complex and challenging to unravel. I've again undertaken this journey recently, and my answer is below. Portrait of Paul Indigo by Magda Indigo. Thanks Magda! I also reviewed my images over the last ten-plus years, selected 30 of my favourite photos, and compiled them into a slide show. This was a challenging task. My favourites change by the day, probably by the minute. Still, eventually, I got to a selection I titled "That's Life." Please click through to YouTube to view the full screen. My approach to people and landscape photography is characterised by a distinctive blend of documentary and fine art techniques. I aim to create images that are both deeply personal and universally relatable. Through portraiture, I strive to showcase the broad spectrum of human experience. I a...