Skip to main content

There's nothing here to photograph

I've often heard photographers complaining that they just cannot find a subject to photograph, sometimes after going to extraordinary lengths to get to a location. In all honesty I've said it myself. But I've been thinking...


It's not what you photograph but how you photograph it that reveals the difference between a good photographer and an ordinary one. The key to being a good photographer is being able to make anything look interesting as an image. As a photographer you have to evoke emotion, communicate ideas and produce a visually exciting image no matter what the subject is.


Unlike 'art' photographers or amateurs, professional photographers have to produce saleable pictures that communicate, whether they're in the mood, able to 'see' it', inspired in front of a subject they like or once again photographing a cardboard box or a bottle (most advertising photographers tend to do an awful lot of shots of these subjects).

The point I'm striving to make is: don't ask yourself, what can I photograph, but instead ask how can I photograph any single thing around me in a way that is visually interesting and exciting? Look around you and pick anything you see and then ask yourself the question; how can I make a stunning image of this? Take a look at the photography masters. I'm pretty sure just about every subject has been photographed, often brilliantly , whether it's a cup and saucer or a burning match. The joy though is that there are thousands of ways of photographing every subject so just because Edward Weston produced an iconic black and white image of peppers does not mean you can't also create a brilliant shot of peppers.


About 10 years ago I was sitting in our apartment desperate to get out and photograph a landscape but it was raining relentlessly. I was determined to create a good image so I opened my eyes and really looked. There it was in front of me. I photographed the rain drops hitting the window pane with the building across the street forming an interesting slightly out of focus background. The shot was very well received and ended up in my portfolio for several years.


Ok, so I've made the argument that the difficulty in finding a subject to photograph is just a matter of perception. Anything can become the subject of a great image, it's just how you photograph it that makes the difference. But there is a rider.


It has always fascinated me how when you photograph something that you are emotionally involved with, that has captured your interest, this is somehow conveyed in the image. This applies to professional photographers as well, which is why they will tend to specialise in an area that they find interesting. So the rider on the initial statement above is photograph anything that you find interesting and try to communicate your own visual interest and excitement in the best way possible through the image.

Remember though that the key is not finding the subject, the key is finding the best way to photograph any subject.


Please feel free to leave a comment or email me.


Paul Indigo

Comments

Anonymous said…
Inspirational stuff as I sit here in gloomy weather thinking about what to photograph :o)

Popular posts from this blog

Approach to taking a portrait

Portrait of Amitabh Bachchan. Click on the image to see larger version. Every portrait is different but there are also elements which are the same, whether you’re shooting the famous or the locally famous. Fame is of course all relative. It depends on profession, accomplishments or media celebrity status. Whoever the ‘famous’ individual is there are millions of people in the world who will never have heard them. For example I photographed the legendary Indian Bollywood actor Amitabh Bachchan, who amongst his many accolades was awarded the Legion d'Honneur, the highest civilian award of France. But I’m positive that many people in North America will not have heard of him – although he has more fans than Tom Cruise, Jack Nicholson and Robert De Niro put together. I find that however well known a person is cracking through egos and insecurities is really important when it comes to getting authentic strong portraits. However I hasten to add that when it came to photographing Amitabh th

The portrait photographer's motivation

Easy access to the Internet and digital photography has resulted in an ever growing number of photographers uploading their images for comments and ratings from peers. Online communities evolve and these mini-societies each have their pecking order, internal groups and communal preferences. Photographers learn from each other. On sites that have a rating system there is often pressure to conform to certain styles, techniques and even subject matter. Although I participate in numerous sites (it's great fun), I recognise the danger of becoming a herd animal and losing the edge of individual creativity. There will always be the creatives that lead the way and the imitators that can only try to follow in their footsteps. This lead me to think about classifying photographers according their inner motivation. So as a bit of fun here are a few different types: The innovator Driven to always find something new, different and creative. Wants to be leading edge. Motivated by creative satisfa

Is professional photography still a viable career?

I am not against amateurs and semi-professionals selling their photography. It's a great way to earn some extra cash. However I am concerned about the level of high quality published work and the standards that clients and the public accept these days. It seems that just about everyone is a photographer. The line between amateur enthusiast and professional is fuzzy to say the least. Photography enthusiasts are selling their images through stock libraries and microstock websites, directly to magazines or through their own and third party sites. They're accepting commissions to shoot weddings, being hired to shoot for magazines and selling fine art prints from their websites. They're teaching photography on the weekend and guiding photographic holidays and safaris. Photography became accessible to the masses with the first non-expert cameras and the famous Kodak slogan"You press the button, we do the rest." The digital camera age has taken the whole thing to a ne