Skip to main content

Tips for photographing interiors

An acquaintance asked me today how I approach photographing interiors. I emailed him with a view tips and thought that you may also be interested. So here goes.

  • Obviously it's vital the room looks presentable and there's nothing distracting lying in view. A bouquet of flowers, a colourful cushion etc, can lift the room and provide a good focal point.
  • Think of leading the audience's eye through the image from one point of interest to another.
  • Unless you're using it deliberately to create an effect make sure walls are perpendicular and the horizon straight. A door frame or wall at an angle can be quite disoreintating.
  • Putting all the electric lights on enhances the atmosphere and creates a warm image. Table lights etc, usually look better even in daylight when they're lit.
  • Candles should also be lit if they are present.
Lighting

I use a variety of techniques. Here are some:
  • Studio or off camera flash for fill light balanced with daylight.
  • I generally always try to photograph during the day as window light is very important to the character of a room.
  • Sometimes use tungsten lighting to fill in but if you correct for it you have to watch out because any daylight will be too blue.
  • ND graduated filters used vertically are a great help in coping with balancing shadow and window areas.
  • You can also try double exposures. First expose for the room with the outside of the window covered with black velvet cloth. Then take a second exposure for the window. This works well when you've got a small window and a large room, and you want to show detail outside.

I hope you find this useful. Please let me know and see my previous post in search of feedback. Many thanks.

Paul Indigo

Comments

Popular posts from this blog

Approach to taking a portrait

Portrait of Amitabh Bachchan. Click on the image to see larger version. Every portrait is different but there are also elements which are the same, whether you’re shooting the famous or the locally famous. Fame is of course all relative. It depends on profession, accomplishments or media celebrity status. Whoever the ‘famous’ individual is there are millions of people in the world who will never have heard them. For example I photographed the legendary Indian Bollywood actor Amitabh Bachchan, who amongst his many accolades was awarded the Legion d'Honneur, the highest civilian award of France. But I’m positive that many people in North America will not have heard of him – although he has more fans than Tom Cruise, Jack Nicholson and Robert De Niro put together. I find that however well known a person is cracking through egos and insecurities is really important when it comes to getting authentic strong portraits. However I hasten to add that when it came to photographing Amitabh th

The portrait photographer's motivation

Easy access to the Internet and digital photography has resulted in an ever growing number of photographers uploading their images for comments and ratings from peers. Online communities evolve and these mini-societies each have their pecking order, internal groups and communal preferences. Photographers learn from each other. On sites that have a rating system there is often pressure to conform to certain styles, techniques and even subject matter. Although I participate in numerous sites (it's great fun), I recognise the danger of becoming a herd animal and losing the edge of individual creativity. There will always be the creatives that lead the way and the imitators that can only try to follow in their footsteps. This lead me to think about classifying photographers according their inner motivation. So as a bit of fun here are a few different types: The innovator Driven to always find something new, different and creative. Wants to be leading edge. Motivated by creative satisfa

Is professional photography still a viable career?

I am not against amateurs and semi-professionals selling their photography. It's a great way to earn some extra cash. However I am concerned about the level of high quality published work and the standards that clients and the public accept these days. It seems that just about everyone is a photographer. The line between amateur enthusiast and professional is fuzzy to say the least. Photography enthusiasts are selling their images through stock libraries and microstock websites, directly to magazines or through their own and third party sites. They're accepting commissions to shoot weddings, being hired to shoot for magazines and selling fine art prints from their websites. They're teaching photography on the weekend and guiding photographic holidays and safaris. Photography became accessible to the masses with the first non-expert cameras and the famous Kodak slogan"You press the button, we do the rest." The digital camera age has taken the whole thing to a ne