Beyond the obvious

Photojournalism is alive and well with photographers producing incredible work in 2012. The selection of work by the World Press Photo Awards show cases some of the best stories and images selected by the judging panel. I highly recommend you browse the website galleries, which are packed with interesting information as well as the images. It's not only about still images. The multimedia work is equally impressive. Here is the winning story , particularly interesting to me as I recently met several people who had migrated to South Africa. They were more fortunate than the people in the story " Into The Shadows " but also faced daily difficulties and challenges. Two ladies originally from Zimbabwe,  Sharon the hairdresser and her friend Blessing who works at a hotel in Cape Town, chat while braiding photographer Magda Indigo's hair. Sharon opened her stall on the Cape Town parade. Life is difficult. She has to pay for the stall as well as for storage of h...

The line between photojournalism, commercial photography and art has become less and less obvious. I am not surprised. Photography is a medium we use to express things and communicate, like a pencil and paper, and it should not be confused with the reason the image is created. Commercial photography is all about selling something and photojournalism is about bearing witness. One photographer with an eye for creating powerful images can bridge these different worlds. Steve McCurry is a great example as you will see in the two videos below. Before any photographer picks up a camera they do need to know why they are taking the picture. That mental focus is just as important as physically focusing the lens. Here Steve shares the stories behind some of his most famous photo journalistic images. 2013 Pirelli Calendar. A totally different mission. I notice he prefers continuous light to flash. Given how poorly photojournalism and humanitarian photography pays, I'm also w...

I guess we all have trouble with procrastination and, maybe I'm generalising, but I think artists are particularly   susceptible. Creative minds tend to fight discipline and jump from one thing to another. So when I read the post below by Oliver it struck a cord. Hope you enjoy it as much as I did. The other challenge we often face is overcoming creative block and one of my earlier blog posts is often quoted, so if you've not read it before do take a look. Read Quote of Oliver Emberton's answer to Life Advice: How do I get over my bad habit of procrastinating? on Quora Thank you Oliver. So now we can tackle creative block and procrastination...let's crack on. Till soon, Paul www.indigo2photography.co.uk

I combined raw street footage of musicians performing in Cape Town with stills shot at the same time and one or two other images to set the scene in this short video (view on YouTube full screen in HD). The video shows what the camera outputs natively and you'll see from the stills how I enhance the images using a touch of flash while shooting and Lightroom to process the final images. Hopefully the video captures the relaxed fun spirit of Cape Town. Plenty more images from the Cape being added daily to my South Africa portfolio . Thanks for looking. Till soon, Paul www.indigo2photography.co.uk

What is the difference between a random snap and a careful photographic composition? 81 Bo Kaap The answer may not appear obvious at a glance. Uncovering the joy of photography that has been crafted requires a measure of effort and engagement from the viewer. Sadly too often in our hyper-speed online and social media world images are clicked past in a split second. The carefully crafted image looses out but so does the viewer, missing the joyful discoveries that can be made by someone who takes the time to really read an image. Today image consumption is akin to flying over the grand canyon in a jet at the speed of sound. If you really want to enjoy the view you've got to sit on the canyon rim for an hour and watch the sun going down. Using my own humble example above I'll try to illustrate why 81 Bo Kaap is not a random snap. The first reason is something the viewer will not know. The photographer, me in this case, pre-visualised the image. I didn't just lift the...

Beach talk: shot on Nikon FM2 with 80-200mm Nikkor zoom on Fujifilm in 1996. There are a number of myths that the majority of photographers seem to believe without question. Occasionally someone will come along like the little boy in the story of the Emperor's New Clothes , and point out the truth, but that does not appear to affect photographer's behaviour and desire to acquire all that is shiny and new. Meet Jack. He is a keen photographer and a marketer's dream. When a new camera comes out, especially one with a faster burst rate, more options, focus points and more mega pixels, he wants it. He's been photographing using a digital DSLR with a crop factor, but now he realises that he really needs to go full frame. Several lenses he has are not going to work on a full frame but the manufacturers have brought out new lenses with special coatings, so his problem is solved. Jack is camera manufacturer's marketing dream. The reality is that the latest camera...

Joe McNally shares stories and layouts from 25 plus years of shooting for the world’s premier picture magazine. Anecdotes from the field, discussion of editing, layout and how pictures have to succeed emotionally, pictorially, and informationally to grace the pages of National Geographic. At the start there's a minor glitch where Joe's photos do not appear full screen but that gets soon sorted out, so just persevere. This is a fascinating account and the interviewer opens the floor for questions from the audience during the last 30 minutes. Joe is one of my favourite photographers and it is fabulous to hear how he thinks about creating the images that tell the stories in National Geographic. Enjoy. Till soon, Paul www.indigo2photography.co.uk (this is the hub of my photographic world with links to all my social media homes, exhibitions, info and portfolios) PS. My thanks to Manfrotto School of Excellence (my favourite tripods) for producing this excellent vide...

How do you criticise photographs and what does a good critical comment look like? Food critic by Paul Indigo. Note the discarded  plate, his expression and the  piece of baguette. Social media enables amateurs, enthusiasts and professional photographers to publish their work to a wide audience, who can then openly comment and criticize the images. I would hazard a guess that 99% of the comments are fairly superficial positive expressions of appreciation like, "good shot", "nice work", "great composition" etc. Social media is not really a good forum to give and receive criticism on your photographs. When I upload an image I don't expect to get an in-depth critique nor do I give them very often. This does not mean that I don't look at images critically, and as with many photographers I am most critical of my own work. Do you look at images critically? What approach do you use when analysing how good an image is? For me the most important ...

New reportage. View in HD with the volume turned up! In 2012 the Leeds West Indian Carnival celebrated its 45th year. The festival is one of the largest of its kind in the UK, second only to London's Notting Hill Carnival. For a number of years I photographed the carnival and in 2010 we photographed the people behind the scenes. They put in a tremendous amount of hard work to make those fabulous costumes.  This slide show follows the process through from the preparations to Carnival day itself. Carnival founder, Arthur France, is enormously pleased with the on-going success of the event and says the Leeds carnival continues to improve year on year. "What distinguishes the local event", says Arthur, "is the fact that it remains traditional in terms of the costumes and music which are central to the spirit and character of the carnival." My thanks to all involved in the Leeds Carnival and particularly those that organised access and the friendly people a...

Legendary photographer Jay Maisel , shares insights in this extract from the Big Picture's Emmy award winning documentary about him. Jay is an inspiration to so many photographers and someone I greatly admire. His focus on three core elements: colour, light and gesture, underpin his teachings and famous workshops. I hope you enjoy this wonderful peek into Jay's world. Till soon, Paul And to see my work head over to: www.indigo2photography.co.uk Thanks  

This is a lovely insight into people photography featuring Steve McCurry, with opinions also being expressed by a number of other photographers including Bruce Davidson, Susan Meiselas, Jay Maisel and Brigitte Lacombe. Hope you enjoy this insight as much as I have. While you're here take a look around. Loads of articles ranging from ethics to inspiration, technique and insights into what it takes to produce great photography. Thanks, Paul www.indigo2photography.co.uk  (updated with new content yesterday)

I was fortunate enough to photograph some of the things that visitors do not get to see when they go to the Championships in Wimbledon. Hope you enjoy the mini-tour. Till soon, Paul www.indigo2photography.co.uk

The settled public often view Travelers as a community living on the margins of society. They are generally misunderstood and feared. The reality is that this friendly group of Travelers were only too happy to welcome strangers to share a rest stop along the road. Hope you enjoy these 'life on the road' images. Thanks, Paul www.indigo2photography.co.uk

Steve says it like it is as usual. For me great photography comes down to making images that change people's view of the world. This can range from a subtle increase in awareness, to altering someone's opinion, through to causing a change in behaviour. The 7 steps on the journey for the viewer of a great photograph are: seeing the image experiencing a sensation which turns into an emotion that evokes a cognitive process leading to a shift in understanding and a change in attitude that motivates the viewer to take action. I'm not a psychologist or a philosopher. This is just my observation based on experience. Till soon, Paul Visit the hub of my online world:  www.indigo2photography.co.uk

I think this is excellent advice from a great photographer. It's exactly what I feel too. Thanks for watching. Till soon, Paul

My new multi-media piece (2 minutes). Really enjoyed doing this one and I think it works. Take a look and let me know what you think. Hope you enjoy the experience. Watch full screen in HD with the sound turned up and enjoy the experience :-). Please Fav and share if you like this video. This is multi-media piece based on a series of images created in collaboration with a Butoh dancer. Many interpretations are possible. Each viewer will have their own. To me the key concepts are inner energy, nature, internalising the external world, the similarities in structures of nature (arteries and tree branches) and meditation. No digital manipulation was used to create these images. These pictures were all shot on Fujichrome film and scanned. For more of my work please visit www.indigo2photography.co.uk Thank you, Paul

Honfleur is a beautiful harbour town in France, located 5km from Le Havre. We spent a few days there photographing it both during the day and in the evening. Fortunately the light was good. I hope my images capture a sense of the place, the marina, the architecture and shops filled with local produce. If you would like to find out more visit my photo-story page . Connect with me on social media: Google+:  Paul Indigo   Twitter:  paul_indigo Facebook:  Paul Indigo Facebook Page:  www.facebook.com/paul.indigo Flickr:  paulindigo Thanks, Paul www.indigo2photography.co.uk

The Alhambra in Granada is one of the must see tourist attractions of Spain. A selection of the images I shot there are in my You Tube video in full HD and you can view the still images at your leisure in my places portfolio . Here are a few tips on photographing the Alhambra which can be applied to other popular tourist attractions. The Alhambra limits visitors to between 5,000 and 6,600 per day and it frequently sells out of  tickets for the main attractions. So book well in advance if you want to gain access to the Palacios Nazaríes. Think carefully about what equipment you really need. The place is packed with tourists and in the palace the security guards ask you to carry your bag in front of you. So if you've got a big camera rucksack you're going to have to walk around like a pregnant lady for the afternoon. Being bumped and bumping into other people is not a pleasant experience, so it's best to travel light. When you have to book in advance and wo...

To me the expressive moment is simply the moment captured through the lens by the photographer when there is a clear expression of mood, emotion and feeling. It is different to Henri Cartier Bresson's 'decisive moment' which revolves around a visual harmony and balance in the frame rather than being about emotion and expression. The ideal is to achieve both the perfect visual balance across the frame, the decisive moment, and capture the expressive moment. Of the two I would choose the expressive moment as the most important because the essence of photography is to communicate an idea or emotion to your audience. Of course the aesthetic elements of an image play a vital role, but they support the message rather than being the message - just as in architecture, form should follow function. This is the realm of photojournalism, editorial photography, advertising, street and fashion photography. Here we use the expressive moment to get the audience to: really see fee...

See and hear the Flamenco photo story action. And turn up the volume! In my previous post I described the photographic technique I used and how we came to shoot this story on a world famous Flamenco dance school . There was a lot of interest in the blog post so, using Magda's Indigo's behind the scenes video footage I made this short film (3.45minutes). You'll get a much better understanding of the lighting conditions and circumstances we were working in, and we have have included some of the still images from the story so you can see how I interpreted the scene and the results. In all the whole shoot lasted about 60 minutes. We used minimal equipment (see previous blog post ). Hope you enjoy our film. Please let me know what you think of the images too. If you'd like to see the higher resolution versions you can view them on my portfolio of  Flamenco photographs . Till soon, Paul www.indigo2photography.co.uk