This blog is about Paul Indigo's views on life and photography.
Search This Blog
What I learnt again about photography from Sarrusi’s hat
Sarrusi and his hat
I approached him on the market at his stall because his hat caught my eye. I’m sure you can see why. At first, Sarrusi was not keen on being photographed. But we chatted. Eventually, he agreed after a bit of banter. The first portraits were quite austere and serious, and then he cracked and I got his lovely engaging smile.
Patience, kindness and understanding are things every photographer should pack, along with lenses and cameras.
A caption in its simplest form is the the title of an image but usually we mean a bit more. A full caption takes the form of descriptive text, usually a few sentences.
A good caption informs us about the things we cannot see and encourages us to look at an image more closely. There is a relationship of mutual benefit and dependence between a well written caption and an image. The caption can bring an image to life by providing context and meaning. It is also the link between the article/story/text and the image.
Magda Indigo has written a good description of a caption here. I agree with her dislike of "untitled". It does show a certain lack of imagination and is not particularly helpful to the viewer. Creating an image is all about trying to communicate something and the caption is vital to help the audience understand an image. It can hugely enhance the viewers experience.
A good caption is a piece of writing that should be concise, accurate, informative and as carefully craft…
How do you make a good photographic portrait? The answer is both simple and complex at the same time. The simple essence will probably surprise you.
If I had to write a book about it then I'd cover all the usual topics. Lighting, composition, choosing the right lens, using depth of field and thinking about the background and how you use colour and tone. All have a role to play.
We could also discuss the softer side. How you build rapport with your subject. And how to collaborate.
The truth is none of the above things really matter when it comes down to the essence of what makes a good portrait. Don't get me wrong. They all contribute as stepping stones. They add finesse and enhance. They improve the aesthetics and make it easier to take a good photograph. Other photographers may admire your technique. But good technique does not make a good portrait. Certainly not in the eyes of of the wider public.
So, what does make a good portrait. Simple. The expression on the face, in the…
I am not against amateurs and semi-professionals selling their photography. It's a great way to earn some extra cash. However I am concerned about the level of high quality published work and the standards that clients and the public accept these days.
It seems that just about everyone is a photographer. The line between amateur enthusiast and professional is fuzzy to say the least.
Photography enthusiasts are selling their images through stock libraries and microstock websites, directly to magazines or through their own and third party sites. They're accepting commissions to shoot weddings, being hired to shoot for magazines and selling fine art prints from their websites. They're teaching photography on the weekend and guiding photographic holidays and safaris.
Photography became accessible to the masses with the first non-expert cameras and the famous Kodak slogan"You press the button, we do the rest." The digital camera age has taken the whole thing to a new …